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The Visit

United States, France, West Germany, Italy

1964

100 Min
Black and White
2.35:1
English, French
  • Currently 3.5/5 Stars.
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DIR Bernhard Wicki

PROD Darryl F. Zanuck, Julien Derode, Ingrid Bergman, Anthony Quinn

SCR Ben Barzman

DP Armando Nannuzzi

CAST Ingrid Bergman, Anthony Quinn, Ernst Schröder, Hans Christian Blech, Richard Münch

ED Samuel E. Beetley, Françoise Diot

MUSIC Richard Arnell, Hans-Martin Majewski

Berlinale (Retrospective)

Synopsis

Karla Zachanassian (Bergman), a fabulously wealthy woman returns to the decaying village which she had been forced to leave years earlier in disgrace. She had had a child by Serge Miller (Quinn) who denied paternity. Her purpose in this “visit” is to make a deal with the inhabitants — in exchange for a vast sum of money, she wants Miller killed. At first reluctant, they eventually accept the arrangement and Miller is condemned to death. At the last moment, Karla stops the execution and tells the citizens that they will have to live with the guilt of what they might have done for the rest of their lives. —Wikipedia

Director

Original

Bernhard Wicki

Bernhard Wicki was born in 1919 in Austria and died in 2000 in Munich. He studied Acting and Photography in Berlin and Vienna, followed by theater work in Vienna, Munich, Salzburg and Zurich. His first film role was in Der fallende Stern (1950). Thereafter, he starred in numerous other films including Die letzte Bruecke (1954), Es geschah am 20. Juli (1955), Weil du arm bist, musst du frueher sterben (1956), Die Zuercher Verlobung, and the Italian production Die Nacht (La notte, 1961). He made his directorial debut with the documentary Warum sind sie gegen uns (1958), a film about youth problems in the Federal Republic of Germany. He went on to direct Miracle of Malachias (Das Wunder des Malachias, 1961), the Duerrenmatt-adaptation_ The Visit _(Der Besuch,1964), Die Zitadelle (1977), The Longest Day (Der laengste Tag, 1962), Morituri (1965), Karpfs Karriere… read more

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Marcelo Pereira

23Dec12

So underrated and yet so good.

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Arcanus

29May11

A travesty of the Durrenmatt play, which is a classic. The idea of changing the ending to please Middle America is pathetic.

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