Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa’s next victims? —IMDb
León Klimovsky (16 October 1906–8 April 1996) was an Argentine film director.
A trained dentist, born in Buenos Aires, his real passion was always the cinema. He pioneered Argentine cultural movement known as cineclub and financed the first movie theater to show art movies. He also founded Argentina’s first film club in 1929.
After participating as scriptwriter and assistant director of 1944’s Se abre el abismo he filmed his first movie, an adaptation of Fyodor Dostoyevsky’s The Player. From this first phase, it can be also highlighted the adaptations of Alexandre Dumas’ The Count of Monte Cristo and Ernesto Sabato’s The Tunnel.
On the 1950s Klimovsky settled in Spain, where he becomes a “professional” director. He went into spaghetti westerns and so-called exploitation films, filming in Mexico, Italy and Egypt. Perhaps he is best remembered for his contribution to Spain’s horror film genre, beginning with La noche de Walpurgis. León Klimovsky confessed to have… read more
While he was never as great as he thought he was (he viewed himself as an equal to Karloff), Paul Naschy forged his own distinct and lasting image in film. His death unfortunately came without fanfare (most horror fans still don't know his name)... The king of Eurotrash horror, and this is probably his most memorable movie