Ignacio Carrillo travelled all his life throughout the villages and regions of northern Colombia, carrying music and traditional songs on his accordion, a legendary instrument that is said to be cursed, because it once belonged to the devil. As he became older, he got married and settled with his wife in a small town, leaving his nomadic life behind. When she suddenly dies, he decides to make one last journey to the Northern edge of the country, to return the accordion to the man who gave it to him, his teacher and mentor, so he will never play it again. On the way, he is joined by Fermín, a teenager who dreams of becoming a “juglar” like Ignacio, and to travel all around playing the accordion like he did. Tired of his loneliness, Ignacio accepts to be accompanied, and together they start the journey from Majagual, Sucre, to Taroa, beyond the Guajira desert, finding on the way the enormous diversity of the Caribbean culture and surviving all kinds of adventures. Ignacio will try to convince Fermín to take a different path in his life, having learned that his only led to solitude and sadness, but he will have to face the fact that destiny has different plans for him and his pupil. —Cannes Film Festival
Ciro Guerra (born 6 February 1981) is a Colombian film director and screenwriter. His film Los viajes del viento competed in the Un Certain Regard section at the 2009 Cannes Film Festival. —wikipedia
Beautifully filmed Colombian "Crossroads" tale. Despite the stunning location filming the movie drags out a familiar story. There are a few original contributions to the tale but the star of the movie really is the countryside.
Beautiful. Granted. Rap battles ala Accordion. Incredible. But. But. I fast-forwarded through the last half hour because there was no substance behind any of the images I was seeing. The protagonist could have been a model for how much you knew about him. I guess put it on in the background at a party.
Un trabajo que cumple rigurosamente los clichés de una cinta “roadtrip”. Es lo que pasa cuando “limitas” a un director con visión (como Ciro Guerra demostró con “La sombra del caminante”) introduciéndolo a la monstruosa industria fílmica, donde la calidad se mide por el numero de premios obtenidos y por las ganancias en taquilla (lo mismo pasó con Aronofsky después de Pi). De no ser por las logradas escenas musicales, duelo de coplas y tamboreos, la cinta fuera un convencionalismo sin razón de ser. Es este folclor y unos dos que tres toques autorales de Guerra que hacen de la cinta algo disfrutable y diga de ser recomendada.
I don't think cinematography is everything. You've got to have a story that matches the artistry of the images, or at least two decent actors in the lead roles.
Pretty pictures are one thing, good movies another. Two features at Abu Dhabi—Özcan Alper’s feature film debut Autumn and Ciro Guerra’s