Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result. —IMDb
Abbas Kiarostami was born in Tehran, Iran, in 1940. He graduated from university with a degree in fine arts before starting work as a graphic designer. He then joined the Center for Intellectual Development of Children and Young Adults, where he started a film section, and this started his career as a filmmaker at the age of 30. Since then he has made many movies and has become one of the most important figures in contemporary Iranian film. He is also a major figure in the arts world, and has had numerous gallery exhibitions of his photography, short films and poetry. He is an iconic figure for what he has done, and he has achieved it all by believing in the arts and the creativity of his mind. —World Cinema Foundation
The bizarre phenomenon I have of disliking the first film I see of some significant directors (with him, Close-Up), and then adoring the second I see (this beauty here), continues with Kiarostami. Why, i'll never know. Guess i'm a little slow on the uptake...nonetheless, this is a brilliant (what seems to be a) self-(critical)portrait of a fish-out-of-water, the ignorant outsider, the filmmaker.
"They say that the other world is more beautiful. But...who has come back from there to tell us if it's beautiful or not?" "Prefer the present to these fine promises. Even a drum sounds melodious from afar..." "Prefer the present..."
Crime And Punishment In Toronto: In a triumph for moviegoers everywhere...okay, in a triumph for film festival attendees everywhere...okay
As screened @ Cinemuse
It seems like the the story is told completely in the first person. But not like a novel that also reveals the… read review