Good-old-fashioned-horror impresario Lucky McKee (McKee’s May screened at the 2002 Sundance Film Festival) returns to Park City with an outrageously sadistic peek under the surface of family values gone terribly wrong.
When stern patriarch Chris Cleek stumbles upon a wild woman while hunting deep in the woods, he does what he believes is the only logical thing—he stalks, captures, and imprisons the savage in his shed with the intent of civilizing her. Naturally, Cleek wants his whole family to participate in the process; refusal is not an option for his frail wife, reluctant daughters, and all-too-eager son. As his training methods turn increasingly torturous, resistance is met with brute force and animalistic urges, building meticulously to an unrelenting, carnage-filled climax.
Writhing through themes of abuse, legacies, and adolescent pain, McKee’s exercise in cruelty gleefully grinds the classic Pygmalion story into a macabre pulp for all to enjoy. –Sundance Film Festival
Edward Lucky McKee (born November 1, 1975 in Jenny Lind, California) is an American director, writer, and actor, largely known for the 2002 film May, which has acquired a cult following.
McKee has also directed Sick Girl, the tenth episode of the first season of the popular Showtime TV series Masters of Horror. He directed the movie The Woods, which was released on DVD October 3, 2006. Lucky McKee also co-directed the hard-to-find horror movie All Cheerleaders Die, which is not currently in print.
In all of his films, with the exception of The Woods in which she only appears in voiceover, actress Angela Bettis has appeared as a main character. McKee stars in the film, Roman, for which he also wrote the screenplay. Roman was directed by Angela Bettis and released on DVD March 27, 2007. Another frequent collaborator is longtime friend Jaye Luckett of the rock group Poperratic, who has soundtracked all of his films to date under various names, including Roman.
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Revolting, ugly, disturbing, etc. Very well directed, implausibly written (but not POORLY written), and deeply unpleasant. I feel completely helpless when watching movies based on Jack Ketchum novels, and "The Woman" is no exception. I can't say I recommend the experience it provides, but it's not a bad film.
My senses were dulled and my intelligence insulted for 100 straight minutes. Congratulations to (the normally talented) Lucky McKee, if that was indeed the goal. It's almost too easy to catalog the list of things wrong with "The Woman" - the ill-fitting adult alternative soundtrack, Sean Bridgers' George W. Bush-channeling performance, the film's complete disconnect from anything resembling reality. Skip it.
Never mind the soundtrack, let's talk about the 3rd act. The son going from Daddy's Lil Misogynist to a murder accomplice in about 5 minutes' time, the feral 3rd daughter (!?!?), the coincidence / stupidity of the teacher's meddling, etc. Pollyanna McIntosh aside (she almost saves the ending), this flick's too beholden to cliches, stereotypes, & corn syrup to subvert anything except its own delusions of substance.
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