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The Woman Who Dared

Le ciel est à vous

France

1944

107 Min
Black and White
1.37:1
French
  • Currently 3.9/5 Stars.
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DIR Jean Grémillon

PROD Raoul Ploquin

SCR Charles Spaak, Albert Valentin

DP Roger Arrignon, Louis Page

CAST Madeleine Renaud, Charles Vanel, Jean Debucourt, Raymonde Vernay, Léonce Corne, Raoul Marco, Albert Remy, Robert Le Fort, Anne-Marie Labaye, Michel François, Gaston Mauger, Paul Demange, Henry Houry, Anne Vandène

ED Louisette Hautecoeur

PROD DES Max Douy

MUSIC Roland Manuel

SOUND Jean Putel

Berlinale (Retrospective), Edinburgh (Symphonies of Life: The Films of Jean Grémillon)

Synopsis

In this soaring romantic drama, the wife (Madeleine Renaud) of a former fighter pilot (Charles Vanel) who is preoccupied with his glory days in the sky during World War I, falls in love with the idea of flying herself. This soon becomes an obsession, and she undertakes a lofty feat: the longest solo flight ever made by a woman. A warm look at a working-class family as well as a triumphant tale of determination, Le ciel est à vous was one of Grémillon’s most successful films, and can be interpreted as a necessarily stealthy portrait of nonconformity. –The Criterion Collection

Director

Original

Jean Grémillon

Jean Grémillon (3 October 1901, Bayeux, Calvados – 25 November 1959) was a French film director. After directing a number of documentaries during the 1920s, many now lost, he had his first substantial success with the dramatic feature Maldone in 1928. Over the next quarter-century, he directed twenty more feature films, of which he is best known for five made between 1937 and 1944: L’Étrange M. Victor, Gueule d’amour (1937), Remorques (1941), Lumière d’été (1943), and Le Ciel est à vous (1944).

Grémillon rejected what he referred to as “mechanical naturalism” in favor of “the discovery of that subtlety which the human eye does not perceive directly but which must be shown by establishing the harmonies, the unknown relations, between objects and beings; it is a vivifying, inexhaustible source of images that strike our imaginations and enchant our hearts.” —Wikipedia 

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Trolley Freak

28Sep12

The most financially profitable film Grémillon ever made must have been a real tonic for French audiences at a time of German occupation, telling as it does an uplifting tale of perseverance and determination. The director's regular leading lady Renaud is given the role of a lifetime and doesn't disappoint as the wife who adopts her husband's passion for flying and dreams of breaking the women's long distance record.

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Jerry Johnson

21Jan12

Charming for its on-location, French-village setting, but I'm still mystified by the recent critical reassessment of Gremillon's reputation.

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W184

Poetic Rhythm: Three Films by Jean Grémillon

By Farran Smith Nehme on September 11, 2012

On the three impressive films included in Criterion’s set, “Jean Grémillon During the Occupation”.

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W184

Movie Poster of the Week: Jean Grémillon’s “Remorques” and the Posters of the French Old Wave

By Adrian Curry on August 18, 2012

A look at some of the best original French posters for the films in Film Forum’s current series: The French Old Wave.

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W184

"Something's Rotten in the State of Denmark": Motherland, Occupation and Resistance in "Lumière d’été"

By Ehsan Khoshbakht on July 16, 2012

A look at Jean Grémillon’s 1943 masterpiece: its story, reception, and allegories of nation and society.

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