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Synopsis

Though Czechoslovakia had already been swallowed up by the Nazi juggernaut in 1939, its film industry remained healthy and prolific. The bizarre Svet Patri Nam (The World Is Ours) endeavors to find humor in Hitler’s takeover of Sudetenland. The protagonist is a crooked wax-museum proprietor who tries to make a profit on the fall of the government by creating a “puppet” fascist dictator. He is aided in this task by the comedy team of Voskovec and Werich, cast as a pair of enterprising reporters. Voskovec and Werich also wrote the script, which ends with the two “heroes” attending their own funeral services where they hear themselves lauded as heroes! —allmovide guide.

Director

Original

Martin Frič

With 85 feature films to his credit, Martin Fric (aka Martin Fritsch in his German films) was Czechoslovakia’s most prolific director. Over his four-decade-long career, Fric worked in nearly all genres but was best known for his comedies. Fric entered the entertainment industry at age 16 as an actor and cabaret performer. In 1919, he joined the newly established Czech cinema as a lab assistant, later working as a camera operator and also designing posters. In 1922, Fric began writing screenplays and started appearing in films as an actor. Two years later, he began collaborating with director Karel Lamac. Fric made his solo directorial debut with Pater Vojtech/Father Vojtech in 1928. During the ‘30s and ’40s, Fric made a series of popular comedies, the best of which starred Jiri Voskovec and Jan Werich. Two Fric’s best-known comedies include Krstian (1939) and Pytlakova Schovanka/The Poacher’s Ward (1949). Fric had one of his earliest international successes with Janosik, the tale of… read more

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