“I don’t hear as good as I used to, and I forget stuff, and I ain’t as pretty as I used to be, but goddamn it, I’m still standing here. Randy The Ram Robinson is a lonely professional wrestler pushing 50, who can now only look back on a once glorious career. These days, regional exhibition matches have replaced screaming headlines in sports magazines, and when he starts to have health problems, The Ram knows he’s at one of life’s major crossroads. After the opulently mystical The Fountain, Darren Aronofsky opted for a realistic drama that draws on the heritage of 1970s American films, specifically John Huston’s Fat City. The main role is depicted with excellence by Mickey Rourke, who "starred” last fall in one of the most closely watched comebacks of recent years, culminating in a Golden Globe Award and an Academy Award nomination. His own experience in the boxing ring enriched his portrayal of the veteran wrestler, as did Aronofsky’s restrained, authenticity-based directing style. —Karlovy Vary
Darren Aronofsky was born February 12, 1969, in Brooklyn, New York. Growing up, Darren was always artistic: he loved classic movies and, as a teenager, he even spent time doing graffiti art. After high school, Darren went to Harvard University to study film (both live-action and animation). He won several film awards after completing his senior thesis film, “Supermarket Sweep”, starring Sean Gullette, which went on to becoming a National Student Academy Award finalist. Aronofsky didn’t make a feature film until five years later, in February 1996, where he began creating the concept for Pi (1998). After Darren’s script for Pi (1998) received great reactions from friends, he began production. The film re-teamed Aronofsky with Gullette, who played the lead. This went on to further successes, such as Requiem for a Dream (2000) and, most recently, the American remake of the Japanese film series “Lone Wolf and Cub” (1973). —IMDb
I've always been fan of Rourke, whether his movies were lousy or not. I truly adore the guy, so, it was especially nice that he was able to redeem himself with role. Definitely a resilent spirit!
Ein Abgesang auf ein überholtes Modell amerikanischer Männlichkeit. Nicht schön, aber wertvoll.
Darren Aronofsky: a resourceful technician (Pi) of considerable range but little imagination (Requiem for a Dream), after attempting an artwork
The very first rumblings from the Lido are raves. Most of us can't see Mike Goodridge's review for Screen, but Awards Daily can, so here
Bruises from your head to your toeThere are marks all over you There's no place for you to hideSince they painted you black and blueThe Auteurs
It is a towering creative achievement whereby those who have imagined this story for Randy ‘the Ram’ Robinson follow a script of emotional depth, integrity and fascinating character development. The… read review
(Originally posted at www.tkatthemovies.com)
For most of its gripping 110 minutes, Darren Aronofsky’s The Wrestler successfully challenges the safety of sports-themed redemption tales. Using… read review
“O lutador” é um belíssimo filme. Não vou falar das atuações de Mickey Rourke ou de Marisa Tomei, deslumbrante; pois muitos já falaram a respeito. São outros os motivos que me fazem achar este filme… read review
Wrestling is a fantasy sport primarily enjoyed by the working class to release their pent up anger and provide them with a living breathing hero. The Wrestler provides an entertainment by using his… read review