Known primarily in the West for directing such features as Tora! Tora! Tora! (1970) and the controversial Battle Royale (2000), maverick Japanese director Kinji Fukasaku established himself early on with a series of Toei Studio yakuza movies before gaining international recognition after taking over for Akira Kurosawa when the legendary director abandoned Tora! Tora! Tora!. Fukasaku was born in Mito, Japan, in 1930, and made his film debut with 1961’s High Noon for Gangsters.Taking a cue from Italian neorealism, Fukasaku continued to craft a unique style that would flourish throughout the 1960s. Later helming the visually explosive Black Lizard, it soon became apparent that Fukasaku was a director whose talents were limited by the suffocating restraints of the Japanese studio system. Exploring the dark underworld of crime and continually blurring the line between good and evil in his “Battle series,” (which began with 1973’s Battles Without Honor and Humanity) the director’s brutal… read more
Even if it is IMPOSSIBLE to follow the interrelated gang politics, Fukasaku knows how to immerse with near-ridiculous emotional situations. Don't worry, he's got you. Filmmaking from a master of craft.
I always find inter-gang politics to be one of the most interesting parts of crime movies, so I was well served by this one, even if it was hard to follow at times. Also gotta love that funky jazz-fusion style soundtrack!
Awesome beginning, but then they start to introduce all these characters it's hard to keep track of who's who, and when someone is killed in the exact same way with the "freeze-fame then cue theme music" after that shit happens 20 times it gets annoying. The violence is classic over the top gunshots with fake bright red paint. At times it seems comical, action, cheesy, but it's still enjoyable. Stylish ending too!
Feel like Japanese Mafia films are just...you know...calling my name or something.