After Thérèse is acquitted of trying to poison her husband, Bernard Desqueyroux, she recalls the events that lead to her being charged. At the beginning of her marriage to Bernard, the only respite she found from the stifling provincial life was the company of her sister-in-law Anne. After Anne left, she found herself trapped in a loveless marriage to a boring man, whose only interest was in preserving his family name and property. By accident, Thérèse found that an increase in Bernard’s medicine made him very ill. —IMDb
Georges Franju (12 April 1912 – 5 November 1987) was a French filmmaker. He was born in Fougères, Ille-et-Vilaine.
Before working in French cinema, Franju had several different jobs. These included working for an insurance company and in a noodle factory. Franju was also briefly in the military in Algeria and was discharged in 1932. On his return, Franju studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folles Bergère.
In the mid-thirties, Franju and Henri Langlois met through Franju’s twin brother Jacques Franju. As well as creating the 16 mm short film Le Métro, Langois and Franju also started a short-lived film magazine and created a film club called Le Cercle du Cinema with 500 francs he borrowed from Langlois’ parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From Le Cercle du Cinema, Franju and Langlois founded the Cinématheque… read more
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