Caesar Mancini, tram conductor, is a skilled bowler, and this ends his uncommon abilities coll’irritare the controller, causing him to notice and report any breach of the rules inexorably, committed by Mancini. It happens one day that Mancini, in an unguarded moment, a woman invests. It has no serious consequences, but the controller does not fail to immediately report the matter to the Board, which lacks the degree of Mancini making a conductor wire. Mancini barely tolerate the degradation inflicted.—http://elcineitaliano.blogspot.com
Aldo Fabrizi (November 1, 1905, Rome, Italy – April 2, 1990, Rome, Italy). Beloved, hugely popular Italian comic character actor/writer/director, in music halls and variety shows for much of his early career. Fabrizi entered films in 1942 and often wrote and directed his vehicles, winning international acclaim in the Roberto Rosselinni’s neorealist drama Roma, citta aperta (1946) , in which he played a priest who bravely defies the fascist regime. Heavy in heart and girth, he performed primarily in Neopolitan films for over four decades. Such notable post-war films include To Live in Peace (1946), Professor My Son (1946), Flesh Will Surrender (1947), Escape Into Dreams (1948), Immigrants (1949), Cops and Robbers (1951), Five Paupers in an Automobile 1952), Of Life and Love (1954) and The Teacher and the Miracle (1957), all co-written by Fabrizi. A master of the double take, he adapted equally well to comedy and drama, but did not earn much recognition in America. He devoted much of… read more
Sergio Leone was virtually born into the cinema – he was the son of Roberto Roberti (aka Vincenzo Leone), one of Italy’s cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and American directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over Gli ultimi giorni di Pompei (1959) in mid-shoot after its original director fell ill. His first solo feature, Il colosso di Rodi (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a remake of Akira Kurosawa’s Yojimbo (1961), caused a revolution. Although it wasn’t the first spaghetti Western, it was far and away the most successful, and shot former TV cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn’t afford them). The… read more