msmichel
20Dec11
agreed, love park usually but both this one and 'i'm a cyborg..." left me cold
Absolutely fantastic. Park Chan-wook proves once again he's a master of his craft. This film is extremely entertaining, gorgeously shot and with two fantastic lead performances to boot. Among the best vampire movies I've ever seen. Loved it. Can't wait for Chan-wook's next movie!
Chan-wook Park balances thematic clarity with wild originality. He never allows sporadic shifts in tone to take control in a negative way. Instead, he finds cohesion in the mayhem and turns out a powerful, unique piece of work. Technically pristine.
Oldboy blew me away when I saw it, and this one is truly wonderful. This young South Korean cinema amazes me with their epic sense of beauty, passion, exacerbated romanticism and horror.
I guess I didn't understood the film that well. first it was interesting, second it got a bit draggy and at the end I really didn't care... it was kind of boring to be honest
Funny, creepy, sexy. Some very fine performances. The sex is actually sexy - and important to the movie. Usually I'd just rather it were left out.
I really like vampire films so when I found out Park Chan-wook made a vampire film ... expectations were high. It's a gorgeous, elegant film. Kim Ok-Bin performance was outstanding. But I kind of hate the movie. And here is why... the priest!..Song kang-ho was anything but a vampire. I couldn't believe him...Watch him pretending to be sexy or cute was excruciatingly painful.
Subversive, sexy, twisted, perverse - my kind of film. Forget Oldboy - putting these traits aside even, this remains a masterclass in contemporary filmmaking for its outstanding technical, narrative and aesthetic proficiency.
The varying tone was one of the things I loved about this film. I guess it's one of those things that works for some people, but not for others.
Probably one of the best vampire movies that I've ever seen, and a refreshing view on vampirism without trying to be neither mythological nor too damn serious on the subject in any way. Park Chan-wook proves once again that he is one of the finest directors of the modern era in filmmaking.
Watched it last year on the FantasyFilmFest in Cologne and it was great. Wonderfull movie. Nice perspective.
One of the best things that Park Chan-Wook did with his vengeance trilogy was show us that revenge is always messy and never black-and-white. With Thirst, he very successfully shows us that the same goes for love. Meanwhile, he somehow completely rescues the vampire film genre from its pop-culture doom. If anyone could do it, it would be him. Love ya, Park.