Koreyoshi Kurahara adapted a novel by Yukio Mishima for Thirst for Love (Ai no kawaki), a tense psychological drama about a young woman who is widowed after marrying into a wealthy family, and becomes sexually involved with her father-in-law, while harboring a destructive obsession with the family gardener. Kurahara’s atmospheric style is a perfect match for Mishima’s brooding sensuality. –The Criterion Collection
Koreyoshi Kurahara (蔵原惟繕 Kurahara Koreyoshi?) (May 31, 1927 – December 28, 2002) was a Japanese screenwriter and director. He is perhaps best known for directing Antarctica (1983), which won several awards and was entered into the 34th Berlin International Film Festival. He also co-directed Hiroshima (1995) with Roger Spottiswoode, which was nominated for the Primetime Emmy Award for Outstanding Miniseries.
He was the nephew of literary critic Korehito Kurahara, and older brother of film director Koretsugu Kurahara. His son Jun Iwasaki, a former producer for Ishihara International Productions Inc., is currently secretary to politician Nobuteru Ishihara.
He was born in the city of Kuching, then part of the kingdom of Sarawak (now a state of Malaysia) on Borneo.
While a film student at Nihon University College of Art, he became a live-in student of Kajiro Yamamoto at the introduction of Ishirō Honda. Upon graduation in 1952 he joined Shochiku’s Kyoto studio and worked… read more
Another perfect film from him (though totally different than the other I've seen, The Warped Ones). His editing is fascinating, the jarring, often weird transitions and cuts. Also his shot compositions, and the vertiginous sweep of his camera through the actors as staged in each landscape, existing like in a painting (having recently seen The Hypothesis of the Stolen Painting, I couldn't help but compare the two).
The 1960’s period of film production in Japan felt a need to explore any avenues from the norm freeing themselves from the oppressive occupying military forces also any shackles of conformity from… read review