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Director

Original

Aleksandar Petrović

Aleksandar “Saša” Petrović was one of the most acclaimed and successful Yugoslav directors, born in 1929. in Paris. Studied film directing at the prestigious Academy of Performing Arts (FAMU) in Prague (1947/48). His studies remained unfinished due to the political aggravation between Czechoslovakia and Yugoslavia at the time and he was forced to return to homeland. He graduated Art History in Belgrade (1955). Filmmaker since 1948. in various projects. At first, assisting to other directors and shooting documentaries. Awarded several times for his early works in these movies including very successful documentaries Let nad mocvarom (1956), Petar Dobrovic (1958), Putevi (1959) and Sabori (1963). After two films with various success and acclamation (Dvoje in 1961 and Dani in 1963) he directs very successful war drama Tri (Three, 1965) which won raves from critics in Yugoslavia and Europe and an Best Foreign Language… read more

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Ciprian David

24Apr13

the greatest thing about this film may be his diversity. I started by liking the technical inconsistencies and the aseptic nature of rolling idea after idea on the screen, then got to love the naturetakes and the dynamic amongst the diverse landscape of the country and in the end i caught myself in an intense game of looks. the story was all about suspense and political criticism, actually.

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Santropez

18Mar11

I've been thinking for about 30 minutes what to write about this masterpiece, but I'm sure that nothing's going to be enough to describe the awesome experience that watching this is. This is definitely between my select list of the four best films ever done. Watch it!

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House of Leaves

11Oct10

I love this kind of film. As bleak as humanity is forced to be by war, as told from a region torn apart by it. There's a rich truth to these films that Hollywood just doesn't understand, nor attempt.

Klaus Capra likes this

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TRI

By Klaus Capra on February 16, 2011

A war film stripped of all the usual slob and guilt, leaving us with nothing but the raw elements, right there on the surface and in our faces. Yet, while never letting loose of its realism in the…  read review

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