In a plot right out of any good GOLDDIGGERS flick, Young, along with sisters Marjorie Weaver and Pauline Moore, heads off from the flatlands of Kansas to the fertile valleys of California in search of rich husband material. Young pretends to be an important socialite, with her two sisters posing as her staff. She meets McCrea, an apparently wealthy young man, and it’s true love for Young. It turns out McCrea is just as poor as she, but Cupid doesn’t know beans when it comes to dollar signs, and love triumphs. Moore gets the ever-delightful Niven, and Weaver scores a jackpot by marrying the apparently poor, but actually quite wealthy, bartender Erwin. This is a delightful comedy, well scripted and directed with a sense of fun. The players are clearly enjoying themselves, making the most of the good material. The easily adaptable plot later turned up in two remakes: Moon Over Miami (1941) and Three Little Girls in Blue (1946). —Scootermovies
William A. Seiter (June 10, 1890 – July 26, 1964) was an American film director. He was born in New York City. After attending Hudson River Military Academy, Seiter broke into films in 1915 as a bit player at Mack Sennett’s Keystone Studios, doubling a cowboy. He graduated to director in 1918.
At Universal Studios in the mid-1920s, Seiter was principal director of the popular Reginald Denny vehicles, most of which co-starred Seiter’s then wife Laura La Plante (his second wife was actress Marian Nixon). This period also included The Beautiful and Damned and The Family Secret.
In the early talkie era, Seiter helped nurture the talents of RKO’s comedy duo Wheeler & Woolsey in such rollicking features as Caught Plastered (1931) and Diplomaniacs (1933). He also directed the Laurel and Hardy feature Sons of the Desert (1933), their only film together. Other films include Sunny, Going Wild, Kiss Me Again, Hot Saturday, Way Back Home, Girl Crazy, Rafter Romance, Roberta, Room… read more