uglyfact:filmsaremadeoutoffilms
22Dec11
In what ways more specifically. I like that idea
A film about the relationship between love, solitude and creation. Great music, beautiful turns and colors and most importantly, it deals with what we all experience, but it provides an extreme reaction to what we normally do. Definitely a movie that will let you reflect on your behaviour and how you can change it for the better.
Esta apología a los colores, con un poco menos requerido de dialogo para entender, nos muestra la primera parte de la trilogía de los colores. No necesita muchas palabras para entender las desidia humana de Miss Binoche, y es eso lo que la hace tan memorable, se recline en sus pensamientos y actúa según su intuición. "Azul" es como su nombre lo indica una fuerte promesa de sensaciones primerizas, llenas de imágenes integras y percepciones dolorosas Una espléndida introducción del señor Kieslowski.
Blue made me feel blue, but it wasn't still all sad. The performance of Juliette Binoche is really wonderful. I felt the loss, I understood why he escaped and I wouldn't want the movie end differently. Together with the beautiful cinematography, attention to detail and colour blue, this movie presents you with a heartfelt story of loss.
The liberty from grief and sorrow portrayed in stunning cinematography. Powerful ending.
Two years ago, Kieślowski's Bleu was the first movie I saw that made me realize that cinema could be an art. He opened my eyes.
"Blue" seems to have an extraordinary influence on Malick's "Tree of Life".
they both have a strong transcendental and phenomenological style. in each of their films, there is a sort of devaluation of the narrative content while the actual experience of seeing a movie is emphasized. cinema as spectacle, if you will. except not in the negative way that Debord treats this idea.
I was compelled to watch this film...again. It won't leave me. The THREE COLORS trilogy is one of the most meaningful cinematic experiences I've had. Kieslowski left us too soon. I'm in awe of his craft.
This is celluloid poetry at its best. Philosophically challenging, BLUE invites the best kind of thinking that a movie can. And that is true art. First felt, followed by inspiration.
"O, suprême Clairon plein des strideurs étranges, Silence traversés des Mondes et des Anges : - O l'Oméga, rayon violet de Ses Yeux ! - " Rimbaud
immense masterpiece. Who has not cried looking at the face of Juliette painful in the sublime final scene? is one of the best performances ever seen.
This is my favorite of Kieslowski's trilogy. First, because I was in love with Juliette Binoche, circa 1993, and she is radiantly (and tragically) beautiful in this film. Second, of the three films, this one is a more complete realization of Kieslowski's theme. Third, Idziak's cinematography connects the eye to the brain and follows through to the heart.
Ingenious. Simply one of the most wonderful things I've ever had the pleasure to watch.
Some truly incredible moments and some kinda pretentious moments. The shot where the doctor talks to her in the reflection of her eye is genius and the first sex scene between her and Olivier is incredible but the relationship with her mother fell flat and the fade to black as symphony plays got annoying.
An excellent film, along with The Sweet Hereafter the best look at life after tragedy that I have seen. Binoche is extraordinary.