Near the Bosporus, Eyüp and Hacer live in a modest flat with their son Ismail, in his twenties, who’s doing poorly in his studies. Few words pass between them, and a past family tragedy brings sorrow daily. On a rainy night, Eyüp’s boss Servet, a wealthy businessman who’s entering politics, hits a pedestrian on a lonely road. He drives off and offers money to Eyüp if Eyüp will take the fall – probably a six-month sentence. Eyüp agrees, and while he’s in prison, Ismail wants his mother to ask Servet for enough money to buy a car. Servet, in turn, desires Hacer. How can this play out? –IMDb
Nuri Bilge Ceylan (born 26 January 1959 in Istanbul) is a Turkish photographer and film director. He is married to the filmmaker, photographer, and actress Ebru Ceylan, his co-star in İklimler.
Ceylan learned photography at age 15, and developed an interest in film at 22. After graduating from Boğaziçi University with a BSc degree in Electrical and Electronics Engineering, he went on with his studies on cinema for two years at Mimar Sinan University.
Ceylan’s first short film Koza (Cocoon) was screened in the Cannes Film Festival in 1995. He received many awards with his debut feature Kasaba (Small Town). His third feature Uzak (Distant) received many awards including the Grand Jury Prize and the Best Actor Prize at Cannes, and was praised internationally. His 2006 film Iklimler (Climates) won the FIPRESCI Movie Critics’ Award at the 2006 Cannes Film Festival and received international praise by critics and experts. The film won 5 awards at the 2006 Antalya Golden Orange… read more
I really liked most of this film. Ceylan's visual storytelling is really to be commended. However, the whole last act felt very false to me: both meandering and forced (if that's possible). Really interested in seeing Once Upon a Time in Anatolia now.
wow, of what i have seen, this is his most "action" film. compared to uzak, it's hollywood. the drone scene with the man in front of the ventilator was fantastic. seeing it on big screen is a must. you can almost hear the myriad thoughts and fragments of emotions moving under the skin, passing through like a vortex of smashed glass through a wire nexus. loved it.
The word “masterpiece” is dropped pretty often this time around — but not lightly.
*** Three Monkeys is opening in New York City on May 1. Click here for playdates.
For a filmmaker of such particular aesthetic sensibilities, Nuri Bilge Ceylan has been compared to a surprising range of directors over the
Critically acclaimed Turkish director Nuri Bilge Ceylan (“Distant” & “Climates”) cemented his previous success with this slow-burning neo-noir which won him the Best Director Award at the 61st… read review
Turkish director Nuri Bilge Ceylan has made his mark as one of contemporary cinema’s finest directors with films in which not very much happens. In Distant (Uzak), a despondent Istanbul photographer… read review
Nearly as good as his debut film, Uzak, but not quite. But this Turkish art-house film is Nuri Bilge Ceylan’s elegiac ode to the disintegration of our society’s basic unit – the family. But what… read review
Gorgeous photography. The young actor Rifat Sungar, who played Ismail was excellent; with the eyebrows and angst of Adrien Brody.
I was compelled all the way to the end; or rather until the… read review