A mas de 50 años de su realizacion, este clasico sigue sorprendiendo por la maestria tecnica que Kurosawa demuestra a lo largo del film. Notable por su complejidad y su perfección técnica, es una cinta qué, plano por plano, sigue deslumbrando por su onirica belleza, las notables actuaciones (estupendos Toshiro Mifune e Isuzu Yamada) y por ser la unica adaptacion cinematografica de una obra de Shakespeare que verdaderamente logra capturar en sus diálogos e imágenes toda la complejidad y el trágico espiritu de la obra original, a pesar (y en esto radica su máximo logro) de que en esta version de Macbeth, no aparece ni una sola linea del bardo Ingles. Referente obligado para cualquier amante del cine, Trono de sangre sigue demostrando por que su director ocupa un primerisimo lugar en la historia del cine mundial.
My only complaint is that, unlike Ran, Throne of Blood associates itself too closely with Shakespeare's play. The result is that I expected deep Shakespearean acting which Mifune didn't deliver. However, Mifune's tendency to overact paid off during his death scene.
Saw this for the first time today and it inmediately became one of my favorites from Kurosawa. It works as both a skillful adaptation and a brooding, haunting fable.
I remember getting to see this at UCSB in one of the theaters there, I remember the scene where the arrow goes through his neck very clearly. I recall them saying that to maintain realism with the scenes with arrows they would place wooden boards under Mifune's armor and he would actually be shot repeatedly by trained archers.
Another masterpiece from Kurosawa. I largely admire Toshirô Mifune performance in this film, but i was stunned with the terrifying and powerful acting of Isuzu Yamada. The Noh style is admirable, so as the special effects and all the mystic that surrounds the characters. A rich film, a must-see of Japanese cinema.
there were some really excellent parts of this film, but i would say honestly, that this was one of my least favorite Kurosawa films. there were moments of really beauty and excitement, but something about it really didn't hold my attention as much until the final moments of the film.
A real classic. More Kurosawa than Shakespeare however. Medieval Scotland to Feudal Japan. A western tragedy to an oriental samurai epic. if the text can be reproduced in a virtually unrecognizable form, the plurality of the text is proved beyond doubt.
Another masterpiece from Kurosawa, I love his manipulation of space here, especially during the banquet scene. The finale is unforgettable, and the storytelling is as always assured.
Thank you so much Janus and Criterion. seeing this on the big screen was fantastic. A true classic, and probably my second favorite Kurosawa.If you get the chance people, go to AK/100.
This might be the most perfect film I've ever seen. I actually didn't even like Shakespeare that much before watching this film. I really can't find a flaw to it.
Something about this picture just caught me... I think it is one of the best made screen adaptations of shakespeare, that doesn't ruin but enhances this film and story. The acting is good and powerful. Kurosawa vision is very one of a kind that I think only this man could have done. This adaptation fits very well with the whole Japanese culture during that period. It's a good picture.
One of the great adaptions of Shakespeare ever made.... The whole movie is well shot... Let it be using fog elements,or heavy rain...or the music of flute at the end... Even the ending is so different as the forest moving....
I believe the pacing was slow on purpose, it does give a great mood. But then for people (like my wife) whom don't really understand the language of cinema beyond the popcorn-effect, the pacing and be murderous, which is silly because the movie is fairly short at an hour and forty-nine minutes. Still, Macbeth forever!
My favorite Kurosawa film, he and mifune are at their top notch and craft a delightful and inventive adaptation of a great shakespearean play.