Seh-hee and Ji-woo have dated for two years; jealousy consumes her. She worries he will tire of her face. Then, she disappears. Telling no one, she goes to a plastic surgeon for a new face. Ji-woo has no idea where she is, although when he does respond to other women, someone unseen intervenes. Then, he meets See-hee, and although he tells her he misses Seh-hee, this new relationship blossoms into love. They talk at the same coffee house, visit the same sculpture park, and pose for the same photographs he did with Seh-hee. We know they are the same woman. Has this new face and renewed love made her happy? And what will Ji-woo do when he learns the truth? Is losing face losing self? –IMDb
One of the most controversial Korean directors, Kim Ki-duk is a self-taught filmmaker who prides himself on his outsider status, openly setting himself apart from contemporaries like Hong Sang-soo and Lee Chang-dong, who he considers too intellectual. Kim’s films have drawn vitriol for their subject matter and praise for their technique, and he has often been compared to his predecessor Kim Ki-young, who was also self-taught and whose films bear a much less brutal, but equally eccentric, personal stamp. Born in a mountainous village, Kim moved with his family to Seoul at the age of nine. During his teenage years he dropped out of school and worked in factories, and at the age of 20, he began a five-year stint in the marines, the toughest and most demanding branch of the Korean military. These early experiences would inspire the gritty milieu and dim view of human relationships that characterize his films. A painter since childhood, Kim went to France in 1990, where he studied art and… read more
If you're considering watching this movie don't listen to anything what the people under me have said or people above me will say. Just watch it and make up your mind about whether you think it's your cup of coffee or not. It certainly was mine. Kim Ki-Duk's characters are always dressed sharp and I like the avant-garde sense of his shots; simply brilliant. Watch this 2 C the scene with the tree.
Sick people playing sick games. Many girls are (getting) crazy too easily, and paranoid about anything, thats true. But come on, entering full of blood, not sterilized in the OR? Not too convincing with this kind of Hollywood-like approach which ruin many promising movies.