Times and Winds

Islamic faith dictates that prayer uttered five times every day brings man face to face with his five “phases,” or states of mind resulting from the tension of workaday life: fear and desire, love and grudge, faith and pain, screams and sobbing and passion and hate. Since every encounter in Islamic life is said to create new pain—whether that of growing up, growing old or merely getting by—then prayer is the panacea for the inevitable tragedy that is life. In Turkish director Reha Erdem’s sumptuously composed fourth feature, childhood life in a rural village on a mountain overlooking the sea is the incubator for an examination of that pain as experienced through the eyes of three very different children: Ömer, the son of the local imam; his best friend, Yakup, who’s enamored with the village schoolteacher; and Yildiz, who is forced to balance her studies with the household needs of her demanding mother. Their youthful internal struggles play out against a natural backdrop of passing hours, changing seasons and rural tradition, stunningly captured in widescreen by gifted cinematographer Florent Herry. Add to this evocative mix a musical score culled from the works of Arvo Pärt, and Erdem’s award-winning feature (the film earned a top prize at last year’s Istanbul Film Festival) emerges as one of the more thoughtful depictions of childhood and rural life in recent memory. Featuring a winsome cast of nonprofessional children, Times and Winds offers an unforgettable glimpse of rural Islamic life that is at once timeless, out of time and transfixed—like so many works of its kind—by the futile search for lost time.