To Sleep with Anger

United States

1990

101 Min

Color

1.85:1

English

Currently 4.1/5 Stars.
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PROD Thomas S. Byrnes, Caldecot Chubb, Darin Scott

CAST Danny Glover, Paul Butler, DeVaughn Nixon, Mary Alice, Reina King, Cory Curtis, Richard Brooks, Sheryl Lee Ralph, Carl Lumbly, Vonetta McGee, Paula Bellamy, Sy Richardson

MUSIC Stephen James Taylor

Sundance (Dramatic Competition): Special Jury Recognition, Cannes (Quinzaine des Réalisateurs), Edinburgh, New York, Toronto, London

Synopsis

To Sleep with Anger is Charles Burnett’s latest drama of conflict about a contemporary black family mired down by the brooding presence of self-destruction. Full of poetic realism, and rich in folklore and history, it is a tale of the delicate relationships hanging precariously in balance within the three-generational family. Into the midst of this volatile situation comes a man whose presence disturbs the few who can see his true face.

The man is Harry Mention-charmer, trickster and fabulous storyteller. A friend from the earlier days of Gideon’s life, Harry conjures up the Deep South and a dark past. Arriving unannounced with a box full of belongings, he is welcomed with open arms as family by Gideon and his wife Suzie. But Harry is not family; he is an enigmatic stranger whose folklore and mystery divide the family even further. He especially affects Gideon’s two sons, Babe Brother and Junior. While the alienated Babe Brother finds a role model in Harry, junior feels him to be a frightening influence.

Set in South Central Los Angeles, To Sleep with Anger is an intense drama that unleashes a powerful, unsuspecting force with amazing dexterity and unsettling seductiveness. With a pace both delicate and controlled, Burnett creates a drama tight with the relentless sense of danger and an unexplainable feeling that there is wore lurking under its surface. Like Something Wicked This Way Comes, this melodrama touches a chord of primordial fear that makes it absolutely riveting. A visual delight complimented by a superb cast, To Sleep with Anger is ripe with metaphors which effortlessly add to the richness of the text. This film maybe a departure from Burnett’s earlier work, such as Killer of Sheep, in its refined presentation, but it is a no-less accomplished film which reaffirms his unique vision and importance as an independent filmmaker in Los Angeles. –Sundance Film Festival

Director

Charles Burnett

Along with Spike Lee, Charles Burnett was among the most crucial African-American cinematic voices to emerge during the final decades of the 20th century; unlike Lee, however, Burnett earned little mainstream recognition for his work and has remained largely a non-entity even within the bounds of the black filmgoing community. Motivated to action by years of one-dimensional black stereotypes and story lines in Hollywood features, Burnett has endeavored to bring to the screen a deeply personal, realistic portrayal of contemporary African-American existence, drawing his inspiration from the work of the Italian neorealist movement. Unfortunately, consistent victimization at the hands of studios and distributors has repeatedly conspired to silence his unique voice, and while younger and less accomplished black filmmakers rose to commercial success in his wake, Burnett himself has remained at best a highly regarded cult figure throughout his career.

Born in Mississippi in 1943, Burnett… read more

Along with Spike Lee, Charles Burnett was among the most crucial African-American cinematic voices to emerge during the final decades of the 20th century; unlike Lee, however, Burnett earned little mainstream recognition for his work and has remained largely a non-entity even within the bounds of the black filmgoing community. Motivated to action by years of one-dimensional black stereotypes and story lines in Hollywood features, Burnett has endeavored to bring to the screen a deeply personal, realistic portrayal of contemporary African-American existence, drawing his inspiration from the work of the Italian neorealist movement. Unfortunately, consistent victimization at the hands of studios and distributors has repeatedly conspired to silence his unique voice, and while younger and less accomplished black filmmakers rose to commercial success in his wake, Burnett himself has remained at best a highly regarded cult figure throughout his career.

Born in Mississippi in 1943, Burnett was raised in Los Angeles, where in the late ‘60s and early ’70s he attended U.C.L.A.’s graduate film program alongside fellow African-American movie innovators Larry Clark, Julie Dash, Haile Gerima, and Billy Woodberry. After serving as the cinematographer on 1976’s Bush Mama, Burnett made his feature debut in 1977 with the acclaimed Killer of Sheep. The victim of poor distribution, the picture never gained the widespread notice it deserved, but in 1981 it won honors at the Berlin International Film Festival, as well as what later evolved into the Sundance Film Festival, and it was also among the first works chosen for inclusion in the Library of Congress’ Historic Film Registry. After winning a Guggenheim Fellowship in 1980, Burnett began work on his sophomore feature, 1983’s My Brother’s Wedding, but he again faced insurmountable distribution difficulties resulting in an abortive release.

Upon receiving a 1988 MacArthur Foundation Fellowship grant, Burnett began work on his masterpiece, 1990’s To Sleep With Anger. Though it starred box-office favorite Danny Glover, the film was screened in only 18 theaters nationally, with an advertising budget of less than 400,000 dollars. Burned again by the Hollywood system, Burnett next turned to television, where in 1991 he filmed a documentary about U.S. immigration titled America Becoming. Returning to feature films, he began reworking The Glass Shield, a long-dormant screenplay about police corruption. When American financing fell through, he received backing from the French production company CIBY 2000, but the company later forced Burnett to relinquish the final cut, and the film was also edited by American distributor Miramax prior to its 1994 release. Nightjohn, an adaptation of a Gary Paulsen novel, premiered to great acclaim on the Disney Channel in 1996. After directing two more made-for-TV features, Oprah Winfrey Presents: The Wedding (1998) and Selma Lord Selma (1999), Burnett returned to the screen as the director of a quirky romance, The Annihilation of Fish, starring James Earl Jones and Lynn Redgrave. —allmusic guide

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