Salaryman Ryuhei Sasaki is suddenly fired from his job. Unemployed and shamed, he hides the news from his family, but the strain of the deception slowly starts to unravel the bonds that hold his family together. His youngest son Kenji begins sneaking out to take piano lessons against the orders of his father. His oldest son Takashi wants to join the US military. His wife Megumi begins to find dissatisfaction in her role as family matriarch. —DVDverdict.com
Born in Kobe on July 19, 1955, Kiyoshi Kurosawa is not related to director Akira Kurosawa. After studying at Rikkyo University in Tokyo under the guide of prominent film critic Shigehiko Hasumi, where he began making 8mm films, Kurosawa began directing commercially in the 1980s, working on pink films and low-budget V-Cinema (direct-to-video) productions such as formula yakuza pictures. In the early 1990s, he won a scholarship to the Sundance Institute and was able to study filmmaking in the United States, although he had been directing for nearly ten years professionally.
Kurosawa first achieved international acclaim with his serial killer film Kyua (Cure) (1997). Also that year, Kurosawa experimented by filming two thrillers back-to-back, Serpent’s Path and Eyes of the Spider, both of which shared the same premise (a father taking revenge for his child’s murder) and lead actor (Show Aikawa) but spun entirely different stories.
Kurosawa followed up Cure with a semi-sequel… read more
This is like a capricious Ozu film with a less subtle depiction of the Japanese family breakdown. The cinematography here is stellar and the lives of the respective family members coalesce quite well into the finale, which I found very moving. I loved this film and would highly recommend it to any aficionado of "meditative" cinema.
"We asked a number of critics to choose the five film books that have proved most useful and/or inspirational and/or important to them
"Essentially a horror film for the white-collar workers over 50, The Company Men follows three suits (Ben Affleck, Tommy Lee Jones, Chris
勝手にしやがれ (KATTE NI SHIYAGARE) In François Truffaut’s fourth episode of the Antoine Doinel saga, Bed and Board (1970), Antoine (Jean-Pierre
Call me shallow, but the exclusive presentation of Tokyo Sonata led to its purchase for me; literally judged it by cover art & marketing blurb. A gritty, landscape focused film set in Japan breeds… read review