Based on Andrew Ross Sorkin’s best-selling nonfiction book about the 2008 financial crisis, this HBO original movie portrays the players and processes that contributed to the collapse of the U.S. economy and led to a lingering recession.
Curtis Lee Hanson (born March 24, 1945) is an American film director, film producer and screenwriter. His directing work includes The Hand That Rocks the Cradle (1992), L.A. Confidential (1997), Wonder Boys (2000), 8 Mile (2002), and In Her Shoes (2005).
Hanson was born in Reno, Nevada and grew up in Los Angeles, the son of Beverly June, a real estate agent, and Wilbur Hale “Bill” Hanson, a teacher. Hanson dropped out of high school, finding work as a freelance photographer and editor for Cinema magazine.
In 1970, Hanson co-wrote The Dunwich Horror , an adaptation of H.P. Lovecraft’s short story. Hanson wrote and directed his next feature Sweet Kill in 1973, then in 1978 wrote and produced The Silent Partner, starring Elliot Gould and Christopher Plummer. As the 1980s and 1990s began, he directed a string of comedies and dramas. He did thrillers, too: many of them would deal with people who would lose a sense of control or security when facing danger and the threat of… read more
O filme é a representação pessoal e emocional em várias vertentes do colapso económico dos E.U.A: a dos protagonistas, a dos espaços, a dos contextos, os momentos e as conversas que todos os intervenientes tiveram no papel direto ou indireto daquele processo. E também como sentiram como o colapso da Crise do subprime contribuiu para o arrebentamento da bolha financeira em 2008 e se arrastou pelo resto do mundo.
Maybe one of the most quotable movies of recent memory. "YOU ARE THEIR REGULATOR! TELL THEM TO FILE!" Or, "Cover your ears. Tell Tim Geithner to fuckin' blow me; I'm trying to save my company."
I wasn’t expecting this to be anything memorable but it proved to be a highly gripping teleplay, providing a different - and no doubt dramatised - but no less interesting perspective on the well-documented financial malaise of years past. The poster below me sums up some of the film’s strengths well.
Extremely fast paced piece that lacks some dimension due to tv restrictions but that offers an interesting yet small portrait of what this (the lack of money in our pockets) was all about. It's not master filmmaking but it is informative and extremely well acted, specially by a magnificently moving William Hurt.