Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace’s hotel, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace. —IMDb
Mark Sandrich (birth name: Mark Rex Goldstein) (October 26, 1900 – March 4, 1945) was a Jewish American film director, writer and producer.
One of the most gifted and least heralded directors of the 1930s and early 1940s, Sandrich was an engineering student at Columbia University when he started the movie business by accident. When visiting a friend on a film set, he saw that the director had a problem in setting up a shot; Sandrich offered his advice. It worked. He then entered into the movies in the prop department, and became a director specializing in several comedy shorts in 1927. He then made his first feature the next year, but returned to shorts after the sound arrival. In 1933 he directed the Academy Award-winning short, So This Is Harris!. He later returned to feature films, most notably comedies, starring the team of Bert Wheeler and Robert Woolsey in Hips, Hips, Hooray!. In 1934, Sandrich soon got his first directing assignment on the Fred Astaire/Ginger Rogers musical… read more
Astaire and Rogers are wonderful in this frothy musical and the superficiality of the slim mistaken identity plot doesn't hamper the excellence of the production at all. What matters most is that with the aid of Berlin's songs and Pan's choreography, Fred and Ginger were never better together. The whole concoction is delightfully played, particularly by a supporting cast of top-notch performers like Blore and Horton.