A high ranking Russian official defects to the United States, where he is interviewed by US agent Michael Nordstrom. The defector reveals that a French spy ring codenamed “Topaz” has been passing NATO secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies. —IMDb
Alfred Hitchcock has been the most well-known director to the general public since the 1940s – and he remains so in the 21st century, more than 25 years after his death. His name evokes instant expectations on the part of audiences around the world: of a memorable night of movie-watching highlighted by at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in virtually every one of the director’s movies across a half-century – and usually laced with a comical cameo appearance by the director himself.
Alfred Joseph Hitchcock was born into a devoutly Catholic family in London, and his religious upbringing – with its attendant issues of guilt – would have a powerful influence on the psychological underpinnings of his later work. He was trained at a technical school, and initially gravitated to movies through art courses and advertising. He studied the work of other filmmakers, most notably the German expressionists… read more
Not a Hitchcock classic, but a thoroughly entertaining British spy movie, if one likes those kinds of things from this period. A strong central character never quite develops, but the middle Cuba section with John Vernon as a Castro-like figure has some particularly tense scenarios.
"I Dunno, It Just Sorta Screams 'TV' To Me...": The title of this post is not a direct quote, but it does sum up the sentiments of a lot of
Even a Hitchcock misfire has more to offer than other director’s best attempts. Yes, the plot may be dull, uneven, unexciting but it has some brilliant touches of pure cinema scattered all over it… read review