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Synopsis

In 1941 the Japanese are at odds with the United States on a number of issues which they are attempting to resolve via their Washington embassy. In case this diplomacy fails, the military are hatching plans for a surprise early Sunday morning air attack on the U.S. base at Pearl Harbour. American intelligence is breaking the Japanese diplomatic messages but few high-ups are prepared to believe that an attack is likely, let alone where or how it might come. —IMDb

Director

Original

Richard Fleischer

The son of famed animator Max Fleischer (Popeye, Betty Boop et. al.), Richard O. Fleischer was a psychology student at Brown University when he dropped out in favor of the Yale Drama Department. At age 21, Fleischer organized a campus theatrical troupe called the Arena Players. In 1942, he went to work for RKO-Pathe in New York, editing the company’s weekly newsreels before producing and directing his own short-subject projects, including the March of Time-like This is America and a series of gagged-up silent-film vignettes titled Flicker Flashbacks. In 1946, he headed to Hollywood, there to direct feature films for Pathe’s parent studio, RKO Radio; his last short-subject effort was the Oscar-winning Design for Death (1948). At first limited to “B” pictures, Fleischer gained a loyal critical following with such topnotch films as Follow Me Quietly (1949) and The Narrow Margin (1952).

Perhaps sensing that RKO was on its last legs, Fleischer moved on to MGM, then to Walt Disney… read more

Original

Kinji Fukasaku

Known primarily in the West for directing such features as Tora! Tora! Tora! (1970) and the controversial Battle Royale (2000), maverick Japanese director Kinji Fukasaku established himself early on with a series of Toei Studio yakuza movies before gaining international recognition after taking over for Akira Kurosawa when the legendary director abandoned Tora! Tora! Tora!. Fukasaku was born in Mito, Japan, in 1930, and made his film debut with 1961’s High Noon for Gangsters.Taking a cue from Italian neorealism, Fukasaku continued to craft a unique style that would flourish throughout the 1960s. Later helming the visually explosive Black Lizard, it soon became apparent that Fukasaku was a director whose talents were limited by the suffocating restraints of the Japanese studio system. Exploring the dark underworld of crime and continually blurring the line between good and evil in his “Battle series,” (which began with 1973’s Battles Without Honor and Humanity) the director’s brutal… read more

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willythesalesman

19May12

holy shit! what a boring film!

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AKFilmFan

13Jan12

While the Japanese sections are the highlight of the film, this talky history lesson has subpar direction, acting, and lack of dramatic tension on the U.S. side of the film.

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lizle

30Apr11

I'm still wondering what this movie could have been if Akira Kurosawe HAD helped directed.

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World War II Classic TORA! TORA! TORA! Finally Comes To US Blu-ray December 6th!

By Twitchfilm.com on December 17, 2011
This is one of my favorite World War II films.  Tora! Tora! Tora! was also one of the few Hollywood productions that took any time to examine the Japanese side of the Pearl Harbor bombing that instigated
read on Twitchfilm.com

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Film de cours d'histoire

By Benoît on October 1, 2011

Reconstitution très (trop) minutieuse des préparatifs et de l’attaque japonaise sur Pearl Harbor. L’oeuvre a le mérite de ne rien oublier, de démontrer la maîtrise japonaise dans les airs et surtout…  read review

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