Seven strangers on a Hollywood movie studio tour are trapped inside an infamous House of Horror and forced to tell their most terrifying stories to get out alive –IMDb
British director Ken Russell started out training for a naval career, but after wartime RAF and merchant navy service he switched goals and went into ballet. Supplementing his dancing income as an actor and still photographer, Russell put together a handful of amateur films in the 50s before being hired as a staff director by the BBC. Russell made a name for himself (albeit a name not always spoken in reverence) during the first half of the ‘60s by directing a series of iconoclastic TV dramatizations of the lives of famous composers and dancers. And if he felt that the facts were getting in the way of his story, he’d make up his own — frequently bordering on the libelous. If he had any respect for the famous persons whose lives he probed, it was secondary to his fascination with revealing all warts and open wounds.
A film director since 1963, Russell burst into the international consciousness with 1969’s Women in Love, a hothouse version of the D.H. Lawrence novel. No director… read more
Monte Hellman (born July 12, 1932, in New York City, New York) is an American film director, producer, and film editor.
Hellman is among a group of directing talent mentored by Roger Corman, who produced several of the director’s early films. Hellman’s most critically acclaimed film to date has been Two-Lane Blacktop (1971), a road movie that was a box office failure at the time of its initial release but has subsequently turned into a perennial cult favorite.1 Hellman’s two acid westerns starring Jack Nicholson, Ride in the Whirlwind and The Shooting, both shot in 1965 and released directly to television in 1968, have also developed cult followings, particularly the latter. A third western, China 9, Liberty 37 (1978), was far less successful critically, although it too has its admirers, as do Cockfighter (1974) (aka Born to Kill) and Iguana (1988). In 1989 he directed the straight-to-video slasher film Silent Night, Deadly Night 3: Better Watch… read more
Joseph Dante Jr. was born on November 28, 1946 in Morristown, New Jersey, and raised in the nearby borough of Parisippany. His parents were professional golf players and his father wrote some books on the instructions of playing golf some of which included Four Magic Moves to Winning Golf, and Stop that Slice. After a bout with polio that nearly crippled him at age 7, he slowly recovered and decided to take up drawing rather than athletics as his parents did.
Dante studied at the Philadelphia College of Art after graduating from high school. As a teenager, he contributed to Castle of Frankenstein and Famous Monsters of Filmland magazines with various drawings, and upon graduation from he College of Art, he became a film critic for the Film Buletin newspaper for which he later became the managing editor. With a friend, named Jon Davidson, Dante cut together a series of movie clips and film trailers and edited them into his first short film which was titled The Movie Orgy (1968… read more
Like William Girdler, Oliver Hellman or even Ed Wood, Sean S. Cunningham had a successful career of starting films cheap and fast. Originally from New York, Cunningham had a vast knowledge of directing films and came to Hollywood. He started about the same time Wes Craven did. Cunningham meet Craven and decided to make a comedy-romance film called Together (1971). Then they both shocked the world with the rape and ultra-violence of The Last House on the Left (1972). Craven directed the flick and Cunningham financed and produced. However Cunningham wanted to get a mix of comedy and horror and made Case of the Full Moon Murders (1973) and then started other comedy films like Manny’s Orphans (1978) and Here Come the Tigers (1978) . Struggling in Hollywood Cunningham saw John Carpenter’s Halloween (1978) and wanted to make a follow up type film but would possibly regret it. Cunningham brought Friday the 13th (1980) into the cinema in 1980, a year of many other horror films. Friday the 13th… read more
Ken Russell's segment very nearly made me puke, which is not something I thought a film could still do so credit where credit is due. I don't usually shout at my television, either. Sweet jesus. Sean Cunningham doing kaidan by way of Joe Dante's Twilight Zone is less successful. The real highlight is Monte Hellman's beautifully sombre mystery, which serves as a kind of prologue to Road To Nowhere. A true gem.