When Jess sets sail on a yacht with a group of friends, she cannot shake the feeling that there is something wrong. Her suspicions are realized when the yacht hits a storm and the group is forced to board a passing ocean liner to get to safety, a ship Jess is convinced she’s been on before. The ship appears deserted, the clock on board has stopped, but they are not alone… Someone is intent on hunting them down, one by one. And Jess unknowingly holds the key to end the terror. –IMDb
Christopher Smith, (born 16 August 1970 in Bristol, England, UK) is a British film director and screenwriter.
His four most prominent pieces of work are Creep, Severance, Triangle and Black Death. Smith was last working on a movie based on the UK children’s book series CHERUB. —Wikipedia
lol at all the literal minded (dare i say it superficial) comments about the logic. It's a pretty good movie that's very engrossing psychologically and strong tonally. Aided by a strong and sympathetic turn by Melissa George and great atmospheric texture throughout. Recommended despite any surface level inconsistencies.
a pretty clever conceit at first, but wears thin and gets really frustrating by the end, where it basically just assumes that you're so confused you won't notice when it gives up continuity logic altogether.
i ve never seen a movie with so many logical mistakes! this one is just not working and even when you like splatter movies, this one will entertain you just in rare scenes. presumed you have dark humour. if you want to make fun out of a really bad movie, you will find some, but not many scenes, where you can laugh about this stupidity, but that was all. even for horror-genre fans: avoid this one!