Barbet Schroeder’s Swiss geologist father was on assignment in Iran when he was born. After a globe-trotting childhood, Schroeder was educated at the Sorbonne; then, like half the under-30 population of France (or so it seemed), he became a movie critic. Brief jobs as a jazz concert producer and news photographer followed before Schroeder went to work as an assistant for one of his role models, French director Jean-Luc Godard. In 1964, the 22-year-old Schroeder set up his own film production company, Les Films du Losange. Among the many prominent pictures produced by Schroeder include director Eric Rohmer’s “Moral Tales” La Collectioneuse (1966), My Night at Maud’s (1969), and Claire’s Knee (1970). Schroeder himself turned director with 1969’s More, gaining critical attention with several unorthodox documentaries. With the American film Barfly (1987), Schroeder established himself as a prime purveyor of “slice of life” drama — albeit entertaining enough to please the crowd. Oscar nominated… read more
Schroeder sculpts a fantastic psychology of gambling! We oscillate between superstition and belief in a "system." Losing becomes just as valid as winning, and approaches towards cheating still produce addictive elements of the unknown gamble: threats of getting caught produce even bigger highs! Winning or loosing, one always wins one thing: the exhilaration of the unknown! Incredible how his narrative does the same!