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Tucker: The Man and His Dream

United States

1988

110 Min
Color
English
  • Currently 3.1/5 Stars.
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DIR Francis Ford Coppola

EXEC George Lucas

PROD Fred Fuch, Fred Ross

SCR Arnold Scylman, David Seidler

DP Vittorio Storaro

CAST Jeff Bridges, Joan Allen, Martin Landau, Elias Koteas, Frederic Forrest, Christian Slater

ED Priscilla Nedd-Friendly

PROD DES Dean Tavoularis

MUSIC Joe Jackson

Director

Original

Francis Ford Coppola

He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more

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Lars Ole Kristiansen

2Aug11

Technically, the film is a dream (Storaro AND Canonero? That's like waking up in heaven!). But it's too shallow and cartoonish for it's own good. Good entertainment, but could have been much more with a stronger script. C+

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Mike

24Jul11

The production design and Vittorio Storaro's camerawork are outstanding. One of Coppola's most underappreciated films.

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Christopher Smith

31May10

Blandly nostalgic biopic has the emotional depth of the Norman Rockwell paintings it seems to be trying to emulate - it fails as both a character study (we learn nothing about Tucker the man, so don't care about his dream) and a historical drama. A talented cast does their best with their underwritten characters in an obvious script, and the lavish production design and cinematography are just too squeaky-clean to be believable. Annoyingly cloying in its attempt to be good, old-fashioned entertainment. Unless your really interested in automotive history, you can skip this one.

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