Based on the critically acclaimed novel by Nick McDonell, written when he was only 17 years old, Twelve is a chilling chronicle of privileged urban adolescence on the Upper East Side of Manhattan. Set over spring break, the story follows White Mike, a kid with unlimited potential, who has dropped out of his senior year of high school and sells marijuana to his rich, spoiled peers. When his cousin is brutally murdered in an east Harlem project, and his best friend is arrested for the crime, White Mike is hurled on a collision course with his own destiny.
Led by director Joel Schumacher, a talented ensemble cast perfectly captures the obvious pain of children teetering on the brink of adulthood. Schumacher counters their overindulged behavior with operatic staging and a literary voice-over. For every decade, there are moments when youth culture is frozen in “art,” to be reveled in by the generation that lived it and observed by those that didn’t. That is Twelve. —Sundance Film Festival
Using his past experience as a window display artist and costume designer, director J l Schumacher developed into a purveyor of slickly produced film entertainment that was more often than not a triumph of style over substance. He was also one of the few directors with an uncanny knack for discovering and casting unknown actors who would later become stars, including Corey Haim, Colin Farrell, Gerard Butler and Matthew McConaughey to name a few. After helming such forgettable movies as “The Incredible Shrinking Woman” (1981) and “D.C. Cab” (1983), Schumacher scored his first financial hit with the Brat Pack-led “St. Elmo’s Fire” (1985). But it was the lasting success of the iconic horror comedy “The Lost Boys” (1987), which made stars out of the “two Coreys” and Kiefer Sutherland while earning new generations of fans over time, that put him on the map for posterity. Following the underwhelming “Flatliners” (1990), Schumacher directed perhaps his most compelling movie, the vigilante… read more
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