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Synopsis

Set in 1920s French Indochina, two tigers are separated as cubs after the ancient temple where they live is disturbed by Aidan McRory (Guy Pearce) who intends to steal and sell the ancient statues.

Two tiger cubs are playing when one (later named Sangha) comes upon a young civet. Sangha chases the civet into its burrow and the mother civet appears and chases Sangha up a tree. The other tiger cub (later named Kumal) appears and chases the mother civet away. Gunshots are heard, and the tigress arrives to protect the cubs. She picks Sangha up and runs for safety. Kumal follows, but can’t keep up and falls behind. The cubs’ father appears, but the men have caught up with them and he is shot dead by McRory.

McRory is an unscrupulous explorer, big-game hunter and temple looter. He discovers Kumal and befriends him, but McRory is arrested for stealing from the ancient temple and Kumal is kept by the chief in the Cambodian village where McRory had been staying. The chief then sells Kumal to a circus where he is to be the star attraction.

Sangha remains in the jungle with his mother, but both are soon trapped by McRory as game for a vain Khmer prince to hunt. The mother is shot in the ear and thought to be dead before she jumps up and runs off with a forever scar in her ear. Sangha is discovered by young Raoul, son of the French administrator, Normandin, and becomes the child’s pet.

Kumal is trained by cruel circus ringmaster Zerbino to do tricks, such as jumping through a flaming hoop, while Sangha in a fright seriously hurts Raoul’s dog and, considered too wild to remain in the French household, is made a part of the prince’s palace menagerie.

The prince then decides to hold a festival in which a battle between two great beasts – the brother tigers – will be the centerpiece. When placed in the cage before the audience during the festival, the two brothers do not immediately recognize each other, and Kumal is afraid to fight. However, when the brothers finally recognize each other they begin to play together instead of fighting,and the audience likes this but the trainers don’t. The trainer attempts to antagonize the tigers into fighting, but as he opens the cage to shoot one, the tigers escape, managing to frighten the trainers and the audience into the cage themselves.

The two tigers escape, and McRory is determined to hunt them down. After Kumal showing Sangha how to jump through fire to escape, McRory and Raoul find them. However, as McRory takes aim at Sangha, Kumal appears, and demonstrates that he remembers the sweets McRory used to give him. McRory puts down his gun and vows never to hunt again.

The two brothers make their way back to their temple home in the jungle where they are met by a third tiger, who is their mother. Just before the credits, some comments to save the tigers (as a species) are shown.—Wikipedia

Director

Original

Jean-Jacques Annaud

Born in Draveil, south of Paris, France, Annaud attended the prestigious L’Institut des Hautes Etudes Cinematographiques. He graduated at the age of 20 and quickly achieved success directing commercials. Two years later he was sent to the French Cameroons as an Army Film Director by the National Service.

While in Africa, he trained locals to make their own movies while working on a series of educational films for the natives. The experience convinced him to film his first feature, Black and White in Color (1976), in Africa, and he took a year to raise the money. His hard work paid off with an Oscar for Best Foreign Language Film in 1978.

Annaud’s follow-up, Coup de Tête (or Hothead) (1979), established his reputation in France, and his next film Quest for Fire (1981), a unique story of primitive man set 80,000 years ago, won French Cesar Awards for Best Picture and Best Director. He won the Cesar Award again directing Sean Connery in an adaptation of Umberto Eco’s challenging… read more

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