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Two Years at Sea

United Kingdom

2011

88 Min
Black and White
2.35:1
None
  • Currently 3.9/5 Stars.
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DIR Ben Rivers

PROD Maggie Ellis, Rose Cupit, João Trabulo

DP Ben Rivers

ED Ben Rivers

SOUND Chew-Li Shewring

Venice (Horizons): FIPRESCI Prize, New York (Views from the Avant-Garde), London (Experimenta), Mar del Plata (Estados alterados), !F Istanbul (!f Inspired), Rotterdam (Bright Future), Images, Madeira

Synopsis

The film documents the solitary existence of Jake, a man who lives in isolation in the middle of the forest in remote Scotland. It follows the character’s unconventional life, capturing moments of profound beauty. Jack is seen in all seasons, surviving frugally, passing the time with strange projects, living the radical dream he had as a younger man, a dream he spent two years working at sea to realize. –British Film Council

Director

Original

Ben Rivers

Ben Rivers (born in 1972) is a contemporary experimental film maker and artist based in London. His work has been shown in many film festivals and galleries throughout the world, and won numerous awards. His work ranges from themes about exploring unknown wilderness territories to candid and intimate portrayals of real-life subjects.

Ben Rivers’ practice as a filmmaker treads a line between documentary and fiction. Often following and filming people who have in some way separated themselves from society, the raw film footage provides Rivers with a starting point for creating oblique narratives imagining alternative existences in marginal worlds. Rivers uses near-antique cameras and hand develops the 16mm film, which shows all the evidence of the elements it has been exposed to – the materiality of this medium forming part of the narrative. More recently the film works have developed to incorporate installation.

He has been the recipient of a number of commissions and awards… read more

Wall

Displaying 4 of 10 wall posts.
Picture of Falderal

Falderal

23Apr13

One watches a silent landscape come in and out of life, movement. One breathes, gathers wood, sleeps. We flicker, we die, we end.

Picture of Michael Harbour

Michael Harbour

18Feb13

Shot on 16mm film then transferred to 35mm for presentation, the film celebrates all the weaknesses of film stock while rarely displaying its strengths. The long takes of a man living alone and isolated (except for the camera and whatever crew, of course) are often intriguing, sometimes beautiful, and regularly challenging of the patience. Some will find it rewarding and worthwhile, others won't. I'm on the fence.

  • Picture of Falderal

    Falderal

    23Apr13

    It's the only film I've ever seen in which the actual stock was purposefully made to match the mood and surrounding of the film itself. Genius.

Picture of Aaron Oliver-Carter

Aaron Oliver-Carter

28Dec12

i like that the director hand processed the 16mm footage himself. A calm, raw yet beautiful film that requires repeated viewings.

Picture of Bitė

Bitė

25Dec12

ln all my honesty, i'm not a fan of Ben Rivers. But this was good. No. This was great.

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Articles

Our roundup of essays and articles on this film.
W184

Daily Briefing. Cinema Scope 49

By David Hudson on December 23, 2011

Featuring an interview with Ai Weiwei and more. Also: The Gold Rush and Last Year at Marienbad in New York.

read article
W184

NYFF 2011. Ben Rivers

By David Hudson on October 7, 2011

Sack Barrow, Slow Action and Two Years at Sea are all screening in this year’s Views from the Avant-Garde program.

read article
W184

Daily Briefing. Harun Farocki, Ben Rivers, More

By David Hudson on October 3, 2011

Also: Ben-Hur, restored. Tahrir documents the Egyptian revolution. Patience (After Sebald). And Rin Tin Tin.

read article

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