Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Wall

Displaying wall posts 1 - 30 of 34 in total
Picture of AKFilmFan

AKFilmFan

13May12

A beautifully made ghost story & gender tragedy w/ a mesmerizing camera. Human ambition in times of war is examined by Mizoguchi and he deserves to be ranked among the best Japanese directors

Picture of lukewarneke

lukewarneke

15Feb12

Movies don't get any better than this. With the classical Japanese directors there's a sense of complete efficiency, no waste, that every cubic centimeter of the shot was absolutely planned, and nowhere is that more apparent than Ugetsu.

Picture of Howard Orr

Howard Orr

18Dec11

My absolute favourite film. Mizoguchi made films for everyone and no one: if you choose to really take note of the exquisite camera movement and extended takes, that's fine, but he doesn't care if you just want to watch it as a story. It's that detachment that elevates him far above others, such as Angelopooulos and Kubrick. As mean-spirited as it sounds, perhaps that's the difference between art and craft.

Denis K. likes this

Mehrzad Mirzaei

16Dec11

قصه‌ای کلاسیک را به سبکی می‌توان گفت مدرن روایت می‌کند. داستان دو برادر که یکی در پی ثروت و دیگری در پی قدرت به تعالی توام با قهقرا می‌رسند. خانواده‌هایشان را از دست می‌دهند و به درکی عمیق از زندگی می‌رسند. به سینما در آوردن افسانه‌ای کهن؛ افسانه ازدواج با یک روح شیطانی صحنه‌ای درفیلم هست که آدم را میخکوب می‌کند. صحنه‌ای که جنجوری از شهر برمی‌گردد روستا پیش زن و بچه‌اش و شب با زنش حرف می‌زند و صبح که بیدار میشود

Commie Bee likes this

Picture of Michael Convery

Michael Convery

13Dec11

Ugetsu: the film was spoiled for me because the beauty of a minority of scenes overshadowed the rest.

Picture of Pierluigi Puccini

Pierluigi Puccini

29Oct11

Beautiful morality tale. When dreaming with a better life becomes greater, blinding us, foreshadowing everything we have, and this seemingly improved life gained reveals itself as a mirage, a pile of nothingness, that's the only time people feel the urge to get back home. There are men so poor that the only thing they have is money.

Picture of Jack Lehtonen

Jack Lehtonen

17Oct11

The line between the world of ghosts and the world of the living gradually fades away through Mizoguchi's impeccably fluid, ethereal camera. The constant presence of death brings the two worlds closer together, so that the landscape itself seems haunted by the moans of ghosts. Truly one of the most beautiful and haunting of films, and one that has remained in my Top Ten as many others have come and gone.

Josh Hansen and Cedric like this

Picture of Tony Zhou

Tony Zhou

3Aug11

There's a very simple panning shot near the end of this film that caught me so completely off guard that I actually gasped out loud. Mizoguchi lives up to his reputation.

Picture of Mike A.

Mike A.

28Jun11

"I never imagined such pleasures existed!" You said it, man.

Picture of Bongos615

Bongos615

2May11

So remarkable. Anyone know where to find all the Mizoguchi films not available on dvd?

Picture of Douglas

Douglas

27Apr11

Mo' Money, Mo' Problems.

David Lara likes this

Picture of tony1990

tony1990

16Apr11

Mizoguchi surpasses boundaries of cinema rarely thought conceivable. To watch his work is to experience rather than observe, for you live and breathe each line as if it were your own. Very few artists care for your emotions so tenderly like he does, handing you back a wisdom full of centuries. The beauty with his films is that we uncover in two hours what life teaches us in decades. No gift is greater than that.

Picture of Gylfi Reynisson

Gylfi Reynisson

17Mar11

I just can't decide which I like more, this one or Sansho the Bailiff. But both are masterpieces and stay with you after you see it. Brilliant !

WhatsUpWill

27Jan11

Trippy, tragic, beautiful. First Sansho, now this. I'm officially a fan.

Rui Tenreiro likes this

Picture of 4peace

4peace

10Jan11

Mise-en-scène!

Nikhil Jayakrishnan

30Dec10

Beautiful film. Mizoguchi's mastery over the long take and the fluid crane shots are particularly impressive.

Picture of AntioneOscar69

AntioneOscar69

14Aug10

is a much more subtle, haunting, otherworldly, and consistent than any of Kurosawa's medieval films, as skilled as they are

Picture of AntioneOscar69

AntioneOscar69

12Aug10

is a masterpiece

Picture of DeJardinblum

DeJardinblum

24Jul10

Affirmation at its most hilariously tragic.

Picture of Miyaki

Miyaki

14Jun10

the best horror ever!!!

Picture of Devon Hansen

Devon Hansen

1Jun10

Holy...shit...

Picture of All Is Grace

All Is Grace

11May10

What's there to say? Just wow. This was my second Mizoguchi experience and I rewatched it for the second time in one week.

dolugen

20Apr10

Exquisite!

Picture of filmcapsule

filmcapsule

30Mar10

I really like Lopate's idea that Mizoguchi's "formalism and humanism are part of a single unified expression." So often, his fluid, floating camera synthesizes and mirrors his characters' emotions. I was also amazed that the ghost story fits so perfectly. It isn't stylistically or thematically incongruous with the rest of the film, and in fact helps illuminate the theme of the transience of life throughout the film.

Picture of Xesus Duarte Sith Patiño
Picture of Maicol Andrés Ordoñez

Maicol Andrés Ordoñez

17Feb10

Mizoguchi's ghost story is an unsettling fable with a purpose. The fear isn't of the supernatural or pending death but rather losing sight of those you love and that which matters. Above all love. The camera and direction is perfect in every single way: not a frame is wasted. The traditional yet modern score chills the soul. The women will leave a permanent impression... FOR ALL TIME!

Picture of Hooligan69

Hooligan69

29Jan10

I watched Ugetsu for the first time a couple days ago, and I thought it was truly fantastic. One of the best films ever made.

Picture of Mister Dob

Mister Dob

2Jan10

One of the most beautiful films that I've seen.

Picture of Ben.

Ben.

20Nov09

There is a quiet beauty here, something unapparent in other films with such awful events. The film achieves more in 97 minutes than films twice it’s length and more than many other film ever hope to achieve. It’s approach to life is unbelievably simple, yet it accomplishes so much.

Picture of Tobin.

Tobin.

13Oct09

A melancholy work of art that haunts the viewer long after.