Scola (We All Loved Each Other So Much, The Family) tells the grotesquely hilarious story of a large family living in a shantytown on the outskirts of Rome. Arson, adultery, incest, and thievery all make appearances in the blackest of black comedies. Scola presents this smorgasbord of human folly and foible through the looking glass of poverty—not with contempt, but rather with tolerance and affection. His insightful direction earned him the prize for Best Direction at Cannes. —Richmond Moving Image Co-op
Ettore Scola (born 10 May 1931) is an Italian screenwriter and film director. Scola was born in Trevico, province of Avellino (Campania).
He entered the film industry as a screenwriter in 1953, and directed his first movie, Let’s Talk About Women, in 1964. In 1974 Scola enjoyed international success with We All Loved Each Other So Much (C’eravamo tanto amati), a wide fresco of post-World War II Italy life and politics, dedicated to fellow director Vittorio De Sica. In 1976 he won the Prix de la mise en scène at Cannes Film Festival for Brutti, sporchi e cattivi.
Since then Ettore Scola has made several successful films, including A Special Day (1977), That Night In Varennes (1982), What Time Is It? (1989) and Captain Fracassa’s Journey (1990). Ettore Scola has directed close to 40 films in some 40 years, and he is still active.
His film Passione d’amore, adapted from a nineteenth-century novel… read more
"Feios, sujos e malvados" é o retrato cruel de uma família da periferia de Roma nos anos 70. Dessa crueldade retira um humor cortante, imperdoável ao criar contornos duros pra personagens à margem da sociedade italiana. 'Vivemos' ali naquela favela, amontoados junto com eles, e a cidade e seu progresso é apenas uma paisagem ao fundo. Scola mostra novamente uma poética peculiar, criando beleza a partir do grotesco.
Magnifico nella prima parte, perde un po' nel bel mezzo dell'intreccio, per poi riprendersi nel finale. A parte questo è un gran bel film per le idee che mette in campo. Per la messa in scena delle baraccopoli, e soprattutto per alcune sequenze quasi poetiche. Una fra tutte la ragazzina che raduna tutti i bimbi per poi rinchiuderli in quella specie di asilo nido, ricavato con le reti dei materassi. Fantastico!
Ettore Scola’s satirical masterpiece Brutti Sporchi e Cattivi (1976) models a view on society, much like ours, out of a family of four generations of criminals living in a barrack under the reign of… read review