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Uncle

Australia

1996

6 Min
Color
English
  • Currently 3.6/5 Stars.
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DIR Adam Elliot

PROD Ann Shenfield, Robert Stephenson, Sarah Watt

SCR Adam Elliot

CAST William McInnes, John Flaus

ED Adam Elliot

ANIM Adam Elliot

Synopsis

Made in 1996, Elliot’s first short film was created at the Victorian College of the Arts under the tutelage of Sarah Watt, Robert Stephenson and Anne Shenfield. With a running time of six minutes Uncle won numerous international awards including an Australian Film Institute Award for Best Australian Animated Short. The film was shot with a 16mm Bolex camera using completely traditional stop-motion techniques, and edited on a Steenbeck, a now obsolete linear editing system. These traditional techniques taught Elliot a craft that would influence his later works and provide a strong respect for handcrafted films. To date he refuses to apply any digital effects to his films despite economic and aesthetic pressures. The budget for Uncle was approximately $4000 AUD.

Uncle is semi-biographical, about an anonymous uncle narrated by an anonymous nephew, voiced by William McInnes. Extremely static and minimalist, the story is driven by the narration and is a balance between comedy and tragedy, humour and pathos. Using strong archetypes, the story has a timeless and universal feel. To date, the film is still popular at Film Festivals,(often as part of a retrospective on Elliot). This first short by Elliot sets the tone for all his subsequent works and is a reference point for his visual style and aesthetic. The story is loosely based on Elliot’s own relationship with his eight uncles, yet despite factual references, he always places an emphasis on story; for him actual events should never dictate plot. In interviews he often cites the popular adage, that “the truth should not get in the way of a good story”. —Wikipedia

Director

Original

Adam Elliot

Adam Elliot, (born Jan 2nd 1972, Berwick, Australia), is an independent stop-motion animation writer and director based in Melbourne, Australia. His five films have collectively participated in over six-hundred film festivals and have received over one hundred awards, including an Oscar for Harvie Krumpet. Elliot calls himself an auteur filmmaker and each of his films have a bittersweet nature to them. Based loosely on his family and friends, Elliot calls each of his works a Clayography – clay animated biographies – a portmanteau term of the words clay and biography. Utilising a large team of animators and modelmakers each film takes several years to complete. He is noted for his use of traditional ‘in-camera’ techniques, which means every prop set and character is a ‘real’ miniature handcrafted object. Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic. His company, ADAM ELLIOT PICTURES, produce the films and Elliot’s work practices… read more

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Displaying 3 wall posts.
Picture of Maoolina Fajrini

Maoolina Fajrini

7Feb12

really depressing

Picture of Mathieu Boucher

Mathieu Boucher

25Sep11

"Life can only be understood backwards; but it must be lived forwards."

Gizem Bayıksel likes this

Picture of Max

Max

16Aug10

Watch it here: http://www.youtube.com/watch?v=w_nEbpauGVw

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