Forty-year-old Kent Osborne works out of his sunny Los Angeles home as a cartoonist for a children’s show. During his day, he takes bong hits and hangs out with his fluffy cat. Kent hopes to hook up with Kate, a cute New York journalist he met online on Chatroulette, when she comes to stay for the weekend. Although their time together is sexually loaded—they take raunchy pictures and pick up a bicurious girl on Craigslist—things don’t go quite as Kent imagined.
Written by Swanberg and Osborne, the film captures Kent’s existence with comedic charm and understated pathos. No matter how confusing his personal relationships get, he’ll always be Uncle Kent. –Sundance Film Festival
Joe Swanberg (born August 31, 1981) is an American independent filmmaker and actor.
Known for micro-budget dramas which make extensive use of improvisation, Swanberg is considered a major figure in the mumblecore film movement. His films often focus on relationships, sex, technology, and the filmmaking process.
Swanberg was born on August 31, 1981 in Detroit. He attended Southern Illinois University at Carbondale as a film major, earning a Bachelor’s Degree in 2003. Two years later, Swanberg directed his first feature, Kissing on the Mouth. He followed it with LOL (2006), which marked Swanberg’s first time working with actress Greta Gerwig. Gerwig and Swanberg collaborated on the director’s next two features: Hannah Takes the Stairs (2007), which also starred filmmakers Andrew Bujalski, Ry Russo-Young, and Mark Duplass and marked Swanberg’s first collaboration with animator and actor Kent Osborne; and Nights and Weekends (2008), on which Gerwig shared a directing credit… read more
Being that he's Kent Osborne, he should have called his cock trick the "Krabby Patty."
Swanberg has improved vastly in the four years since the disaster that was HANNAH TAKES THE STAIRS, releasing a film with deep insight into human sexuality and a strong cast of nonprofessional actors. Tied with Poyser's LOVERS OF HATE as my favorite mumblecore film. Grade: B+.
"I watched Uncle Kent for the second time the other night," writes Craig Keller in an open letter to Joe Swanberg. "Really impressed by