The first feature from German filmmaker Helma Sanders-Brahms, this potent black-and-white drama deals with the aftermath of the 1968 student rebellions in Germany as experienced by two fervent participants. Though the country experienced sweeping reforms in the years following, two radicals-turned-successful Berlin stage actors and lovers (Grischa Huber and Heinrich Giskes) are grappling with their growing insignificance and the demands of adulthood. After a night of intense debate about the past and their future, the couple begins garnering support to fight a new abortion bill. However, their rekindled zeal is soon complicated by an unexpected pregnancy. A cult film for the feminist movement. —http://www.mge.tv
Helma Sanders-Brahms was born in Emden in 1940. She attended the drama school for music and theater in Hanover, and studied German and English Languages in Cologne. She worked as a television announcer for WDR and from 1976-1969 became a guest student with both Pier Paolo Pasolini and Sergio Corbucci. Under the Pavement Lies the Beach became her breakthrough in 1975. Heinrich (1976), her film on the life and death of the German poet Heinrich von Kleist, was awarded the German Film Award in 1977. Her film Germany, Pale Mother (1980) remains an international success today and is one of the classics of German cinema. Her other films include: Shirin\’s Wedding (1975), No Mercy No Future (1981), The Future of Emily (1984), Laputa (1986), Manouevres (1989), Apple Trees (1991), My Heart is Mine Alone (1997), Colour of Soul (2003), and Clara (2008). —german films