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Synopsis

Ann, daughter of Professor Hamilton, falls in love with Alan Garroway, an up and coming inventor. She goes to live with him in Washington, where she discovers that this irreproachable man is hiding a mysterious past. Karl Freund’s “expressionist” photography sets the tone of this dark melodrama. Mitchum is outstanding in a supporting role. —Locarno Film Festival

Director

Original

Vincente Minnelli

Vincente Minnelli (February 28, 1903 – July 25, 1986) was a Hollywood director and stage director. His skilled integration of story, music, lighting, and design elements in a film made him the most critically respected crafter of American film musicals. With first wife Judy Garland, he was the father of Liza Minnelli.

Born Lester Anthony Minnelli in Chicago, Illinois, United States, Minnelli was the youngest surviving child of Mina Mary LaLouette Le Beau and Vincent Charles Minnelli. His father was musical conductor of Minnelli Brothers’ Tent Theater. Minnelli’s Chicago-born mother was of French Canadian descent and his paternal grandfather was from Sicily.

With his background in theatre, Minnelli was known as an auteur who always brought his stage experience to his films. The first movie that he directed, Cabin in the Sky (1943), was visibly influenced by the theater. Shortly after that, he directed Meet Me in St. Louis (1944), during which he befriended the film’s star… read more

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Daniel S.

28May12

Katharine Hepburn hesitates between two kinds of love, society-friendly or romantic, symbolized by Robert Taylor and Robert Mitchum. Vincente Minnelli's first melodrama already foretells the masterpieces of the 50's. So let's forget some Du Maurier scenes that haven't aged so well and enjoy a lucid mise-en-scene illumined by Karl Freund's camera.

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SALESK

25Jul11

Rather pointless cobbling together elements of better films (Gaslight & Daphne du Maurier), Undercurrent is nevertheless never entirely uninteresting. Minnelli steers a too-long script, keeping things afloat & Hepburn is very good as the believably insecure wife to Taylor's dashing millionaire. Mitchum's few scenes are curiosities but worth it--he looks like a kid playing detective in his father's trench coat.

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