The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn’t mention to the workers that the war is over, and they keep producing. Years later, they break out of their underground “shelter” - only to convince themselves that the war is still going on. –IMDb
Emir Nemanja Kusturica, (born 24 November 1954 in Sarajevo, SR Bosnia and Herzegovina, SFR Yugoslavia) is a Serbian filmmaker, actor and musician of Bosnian origin, with a string of internationally acclaimed features.
He won the Palme d’Or at Cannes twice (for When Father Was Away on Business and Underground ), and he is also a recipient of the French Ordre des Arts et des Lettres. On 8 September 2007, Kusturica became a UNICEF National Ambassador for Serbia, alongside Ana Ivanović, Jelena Janković and Aleksandar Đorđević. Kusturica resides in Drvengrad, a village he had built for his film Life Is a Miracle.
Born to Murat Kusturica (journalist employed at SR Bosnia and Herzegovina Secretariat of Information) and Senka Numankadić (court secretary) young Emir grew up as the only child in a family in a secular Bosnian Muslim family the Sarajevo neighbourhood of Gorica.
After graduating from the Film Faculty of the Academy of Performing Arts… read more
What to say about a movie that’s this unique and imaginative? Emir Kusturica’s Underground really bears no comparison. Only the films of Terry Gilliam come the closest, but Kusturica captures a sense of absurdity and the menace that bubbles beneath it in a way I’ve never quite seen. This is a film that bursts so full of life and energy. There’s a phantasmagorical visual imagination at work here. Every scene is like an extravagant painting brought to life and the camera is like a roving eye that soars over all the action. There’s even slapstick comedy involving zoo animals of all kinds (I couldn’t help but wonder if the opening massacre at the zoo inspired Murakami when he wrote The Wind-Up Bird Chronicle), and plenty of raunchy humor. There are films within films, and larger than life characters; and fantasy that bursts forth from the depths. And then there is the soundtrack, exuberant and catchy it gives the film almost the feeling of a wild musical. But there’s an apocalyptic menace at work here. The film is ostensibly about the present via the past. The deep and bitter hatreds that tore Yugoslavia apart are brought to the forefront in the haunting third part of the film. If there’s anything that doesn’t work, it’s that enough time isn’t spent on the present and the Yugoslav Wars. There’s documentary footage of the Nazi seige of Belgrade, but nothing from the wars that were going on at the time. From what I’ve read there’s a miniseries version of this, and I would love to get my hands on it. Underground is quite simply a magical and energetic experience. It is unlike any film I have seen.
yes, this is a unique cinematic experience. but what kusturica is actually saying with this movie? it is too bad that so many people are so enchanted by what is going on the screen to see the highly problematic message of the movie
I've heard there's a lot of controversy surrounding the movie, but I don't fully understand why. I have a basic knowledge of the Balkan conflicts, but not enough to know why people consider it so politically dubious.
The First Part Andrzej Zulawski swings his camera like a steel fist. Indeed, right at the start of his first feature, The Third Part of the
But everything in this film is perfect. One of the best movies ever made. A true modern fable filled with rich colors, beautiful haunting images and huge characters that sink into your thoughts… read review
Unfortunately not everything in this film is perfect. Modern actors are superimposed into found footage ala Forest Gump, but it just looks shoddy. The actors tend to gaze at the camera ala Jim from… read review