Alexis Dos Santos’ vivid, seductive second feature follows its endearing metropolitan drifters around a wholly persuasive nocturnal landscape of grubby flatshares, hipster warehouse parties and drug-related instant friendships. Fernando Tielve and Déborah François play Axl and Vera, a peripatetic Spanish naïf and New Wave-y Belgian heartbreaker trying to forge their respective paths to happiness. With shades of both Michel Gondry and Wong Kar-wei, this is an idiosyncratic, atmospheric and absolutely winning anti-romance. —Edinburgh International Film Festival
Alexis Dos Santos grew up in Patagonia. He studied architecture and acting in Buenos Aires before moving to London to train as a director at the National Film and Television School. He returned to Patagonia to make his debut feature. Glue premiered at the International Film Festival Rotterdam, winning the MovieZone Award-the first of 15 international awards. Unmade Beds, his second film, was written under the auspices of a Cinefondation writing residency in Paris. —sundance.org
A group of gorgeous young European expatriates stumble through their drunken, dis-remembered London nights. Director Alexis Dos Santos has a real heart for youth culture, which keeps the film from feeling exploitative even when flesh is on display. Entirely sweet and pleasurable to watch, with authentic dialogue. Kind of like "Chunking Express" transplanted to the UK indie scene, which is not a bad thing at all.
Images + (great) songs + beautiful/stylish photography. Although I enjoyed a lot Vera' storyline, the film is not much more than a MTV video clip. unfortunately.
I usually get annoyed by romantic comedies/dramas with their unrealistic picturing of love and relationships that is just making people live in a dreamworld with expectations that mostly never come… read review
Not the insufferable horrible Amos Poe film. Unexpectedly compelling and at times touching narrative, considering the obvious Jules and JIm influence (lovers running, two guy one girl menage), at times… read review