Anne Welles, a bright, brash young New England college grad leaves her Peyton Place-ish small town and heads for Broadway, where she hopes to find an exciting job and sophisticated men. During her misadventures in Manhattan and, later, Hollywood, she shares experiences with two other young hopefuls: Jennifer North, a statuesque, Monroe-ish actress who wants to be accepted as a human being, but is regarded as a sex object by all the men she meets, and Neely O’Hara, a talented young actress who’s accused of using devious means by a great older star (Helen Lawson) to reach the top, pulling an “All About Eve”-type deception in order to steal a good role away from her.
Mark Robson (4 December 1913 – 20 June 1978) was a Canadian-born film editor, film director and producer in Hollywood.
Born in Montreal, Quebec, he moved to the United States at a young age. He studied at the University of California, Los Angeles then found work in the prop department at 20th Century Fox studios. He eventually went to work at RKO Pictures where he began training as a film editor. In 1940 he worked as an assistant to Robert Wise on the editing of Citizen Kane in addition to several other films. Both he and Wise benefited tremendously from producer and screenwriter Val Lewton, who promoted Robson from film editor to production assistant and later as director. In 1943, at the insistence of Lewton, Robson assisted Lewton and director Jacques Tourneur in a series of low-budget horror films produced by Val Lewton, including Cat People and I Walked with a Zombie. Later, Lewton was instrumental in promoting Robson to the director’s chair for films such as The Seventh… read more
About a half hour too long, this is way better than 'Beneath' which actually tried to be camp. Patty Duke seriously tore it up!
Til å ha rykte på seg for å være en over-the-top camp classic, er filmen overaskende nok ganske under-the-top. Den har sine hysteriske øyeblikk, og enkelte av damene ser ut som de er drag-queens, men det holder ikke i nesten to timer da mesteparten av filmen utspiller ett litt kjedelig melodramatisk plot.
Surprisingly square for a camp classic. The incomparable Helen Lawson is a fucking goddess and Neely O'Hara's meltdown is jaw droppingly hysterical but much of the movie is simply dull, sappy and dorky unlike Russ Meyer's delirious "sequel"