Considered by many to be director Alfred Hitchcock’s greatest achievement, Leonard Maltin gives Vertigo four stars, hailing it as “A genuinely great motion picture.” Set among San Francisco’s renown landmarks, James Stewart is brilliant as Scottie Ferguson, an acrophobic detective hired to shadow a friend’s suicidal wife, Madeleine (Kim Novak). After he saves her from drowning in the bay, Scottie’s interest shifts from business to fascination with the icy, alluring blonde. When he finds another woman remarkably like his lost love, the now obsessed detective must unravel the secrets of the past to find the key to his future. –Universal Studios
Alfred Hitchcock has been the most well-known director to the general public since the 1940s – and he remains so in the 21st century, more than 25 years after his death. His name evokes instant expectations on the part of audiences around the world: of a memorable night of movie-watching highlighted by at least two or three great chills (and a few more good ones), some striking black comedy, and an eccentric characterization or two in virtually every one of the director’s movies across a half-century – and usually laced with a comical cameo appearance by the director himself.
Alfred Joseph Hitchcock was born into a devoutly Catholic family in London, and his religious upbringing – with its attendant issues of guilt – would have a powerful influence on the psychological underpinnings of his later work. He was trained at a technical school, and initially gravitated to movies through art courses and advertising. He studied the work of other filmmakers, most notably the German expressionists… read more
Sight and Sound's most recent 'best' film of all time isn't even amongst Hitchcock's best. The more I see this film the more I think of the disdain of women exhibited in it. Novak, though no innocent, is victimized by a brutal, obsessive bully of a man who has no regard for her and poor Bel Geddes (who deserves more recognition) is ignored at best by our Scotty. Great score, wonderful photography and editing.
Com um enredo que por si só já é complexo, este filme faz uma abordagem ainda mais complexa às emoções, paixões, e obsessões do ser humano... E, como sempre, Hitchcock inova na técnica cinematográfica de forma a reproduzir da forma mais realística possível as nossas sensações. Desta vez foi o famoso e pioneiro efeito de zoom simultâneo, para simular a sensação de vertigem. E assim surge uma obra-prima!
A kaleidoscopic, wide-ranging compilation of soundtrack music by the unique composer.
A Japanese La jetée and more posters from our sidebar Tumblr, Movie Poster of the Day.
A look at the many faces of the newly crowned “greatest film ever made.”
The British magazine unveils the results of their 2012 poll of the greatest films of all time.
Also: Tim Roth heads up the Un Certain Regard Jury in Cannes and Woody Allen’s To Rome with Love will open the LA Film Festival.
Also: Soderbergh’ll stay ferociously busy until his retirement day. Plus, the 2011 lists keep on coming.
One of 2011’s best films: a feature length, hugely ambitious video essay on the mysteries of Alfred Hitchcock’s Vertigo.
A selection of the great composer’s most interesting music cues, in honor of his centennial.
The Bernard Herrmann centennial is the occasion for a two-week, 22-film retrospective.
A new and remarkable piece of criticism on Alfred Hitchcock’s 1958 masterpiece.
The composer best known for his work with Alfred Hitchcock would have been 100 today. Jim Fusilli in the Wall Street Journal: "Bernard Herrmann
Updated through 6/12. Let's begin this quick run through goings on in New York and with J Hoberman in the Voice: "Dennis Hopper changed the
Jean Grémillon's Gueule d'amour (Lady Killer) of 1937 is almost an archetypal French film of its period. It uses North African colonial settings
Among the films Martin Scorsese and Leonardo DiCaprio have told Terrence Rafferty (New York Times) and Scott Timberg (Los Angeles Times
Two endings of catastrophic vision. (1) The terrifying vision of sight (space): (2) The tragic vision of memory (time
"Without places like LACMA and other museums, archives, and festivals where people can still see a wide variety of films projected on screen
To Be Anal About It For years we’ve been wondering not what is cinema, but who: Hitchcock or Renoir? Watch the minor masterpieces enough—La
Turns out Zach was already here.For so many reasons, El is a wonderful movie, a dry-run for Buñuel’s masterpiece of on-again off-again passion
J. Hoberman once said that "to not get Bresson is to not get the idea of motion pictures," and that's a fine assertion (and judgment) and all
Genre: Mystery, Romance, Thriller
Director: Alfred Hitchcock
Samuel A. Taylor
Pierre… read review
One of the many things that made Hitchcock such a great director is that he did not just stick to the same formula time after time; all of his best movies have their own unique feel and characteristics… read review
Vertigo, despite being hailed as Hitch’s masterpiece does not rank among my favourite films by the master of suspense. The story is quite interesting, although you can see the twists coming by a mile… read review