A child of a wealthy and noble German family, Hildegard is handed over to a Benedictine Monastery from the age of 8. As a novice, she learns the art of herbal medicine and reading and writing from her mentor Jutta and quickly excels in all. When Jutta dies, Hildegard is horrified by the self-flagellation marks on her body. She vows to change the ways of the order, and progressively introduces logic and physics into metaphysics.
Hildegard becomes the abbess of the convent, successfully rebelling against mediocrity and innovating the laws from the highest level. She has powerful visions that she can apprehend and records. When she experiences these mystic perceptions, she mentions them to her superior, without fear of the obvious scepticism and suspicion of heresy from the Christian order. The Pope grants her his support and allows her to publish the written accounts of her revelations. With this, Hildegard’s life takes a new turn. Allowed to build her own convent, she invents a revolutionary and humanist approach to
devotion.
Composer, linguist, scientist, doctor, writer, poet, mystic, philosopher, politician, ecological activist… She is a rare example, a woman ahead of her time. Deserved of a sainthood that has never been granted, yet her popularity and teachings have spanned the ages. Hildegard’s musical, literary and philosophical works are still loved today and her influence in holistic medicine is growing. The first composer whose life we know about, she was also the first woman to write about female sexuality. Centuries later, masters such as Dante and Leonardo di Vinci were inspired by her works. Hildegard of Bingen was one the most important inspirational and visionary female leaders from Medieval times, responsible for bringing Europe out of the darkness and into the modern era of science and enlightenment.
Margarethe von Trotta (born 21 February 1942, Berlin) is a German film director and a member of the New German Cinema movement.
The child of Elisabeth von Trotta and painter Alfred Roloff, she relocated to Paris in the 1960s, where she worked for film collectives, collaborating on scripts and co-directing short films.
In her early career, von Trotta was an actress, appearing in notable films of directors Fassbinder and Volker Schlöndorff. In 1971, she divorced her first husband to marry Schlöndorff. A few years later she presented her first feature film.
Von Trotta, often featuring prominent female characters, has become the foremost female director working in Germany. She is a Professor of Film at the European Graduate School in Saas-Fee and remains an important personality of German cinema. Von Trotta and Schlöndorff split in 1991. —wikipedia
Lovely and evocative tale of the famed 12th century German nun who was ahead of her time. It's a period piece that doesn't feel like one. A lyrical, reverent portrait of a woman who was a pioneer for women in the church.
"Political turmoil. Terrorism. Economic shifts. Suspicion between citizens and state — and, following in the footsteps of Fassbinder, the
"The fifth collaboration of director Margarethe Von Trotta and actress Barbara Sukowa, Vision continues the proto-feminist canonization of
Has there been a late master propensity to Nun Cinema of late?—or at the very least, a cinema of cloisters, with Rohmer, Rivette, Bellochio
The Telluride Film Festival, opening tomorrow and running through Labor Day, has unveiled the lineup for this year's 36th edition