Vivian

United States

1965

3 Min

Black and White

English

Currently 3.5/5 Stars.
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A film portrait cut to the tune of Conway Twitty’s version of “Mona Lisa.” Filmed in part at a 1964 show of Conner’s artwork in San Francisco, the film is also a witty statement about forces that take the life out of art. Vivian Kurz, the subject of the film, is entombed in a glass display case. —Judd Chesler

Director

Bruce Conner

Bruce Conner was born in McPherson, Kansas, in 1933 and studied art at Wichita University, the University of Nebraska, the Brooklyn Art School, and the University of Colorado. Moving to San Francisco in 1957, Conner became involved with the Beatniks. He continues to live and work in San Francisco.

Conner first made a name for himself in the 1950s with assemblages/sculptures of found objects. In the late 1950s, he began making short movies that proved highly influential and established him as one of the seminal figures in the history of independent, avant-garde filmmaking. Conner’s first film, A Movie (1958), a visual collage created from bits of B-movies, newsreels, and other footage, has been listed on the National Film Registry of the Library of Congress. Connor was also responsible for Crossroads (1976), produced with funds from the National Endowment for the Arts, which turned the destructive and sinister atom-bomb test in Bikini Atoll into elegiac visual… read more