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Wanda

United States

1970

102 Min
Color
1.85:1
English
  • Currently 4.1/5 Stars.
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DIR Barbara Loden

PROD Harry Shuster

SCR Barbara Loden

DP Nicholas T. Proferes

CAST Barbara Loden, Michael Higgins, Dorothy Shupenes, Peter Shupenes, Jerome Thier, Marian Thier, Anthony Rotell, Joe Dennis

ED Nicholas T. Proferes

SOUND Lars Hedman

Venice, Cannes (Quinzaine des Réalisateurs), Venice (Special Screening), Karlovy Vary (Out of the Past), London (Treasures from the Archives)

Synopsis

In grim, rust-belt Pennsylvania, Wanda is down and out. She works sporadically, has abandoned her husband and children, sleeps on her sister’s couch, drinks and smokes too much, and goes home with men just to have a roof over her head. One night she walks into a bar after closing and finds a nervous Mr. Dennis pacing. She takes up with him, and he proves to be a criminal. They go on the road, visit his father, and he plans a robbery. He’s rude and demanding; Wanda accepts his abuse docilely. What future does she have? —IMDb

Director

Original

Barbara Loden

Barbara Loden (July 8, 1932, Marion, North Carolina – September 5, 1980, New York City) was an American film and stage actress and film director.

At the time of her death at the age of 48 from breast cancer, she was married to the director Elia Kazan, by whom she had one child. She was perhaps best-known for her role in Kazan’s film, Splendor in the Grass (1961), in which she played Warren Beatty’s sister, as well as for portraying a fictionalized version of Marilyn Monroe in Kazan’s stage production of After the Fall, written by Monroe’s former husband, playwright Arthur Miller.

In 1970, Loden wrote, produced, directed, and starred in the independent film, Wanda. Innovative in its cinéma vérité style, it was one of the very few American films directed by a woman to be theatrically released at that time. Film critic David Thomson has written: “Wanda is full of unexpected moments and raw atmosphere, never settling for cliché in situation or character… read more

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Displaying 4 of 9 wall posts.
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Aguaespejo

14Feb13

Worth all the movies of Elia Kazan times two and all the couples on a lam movies too. The difference between the last scenes here and in On the Waterfront is the difference between stoic despair and mediaready sentimentality... Im surprised this movie is not more widely celebrated though it has its die hard fans...

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filmluvr81

16Nov12

I love subtle films like this

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Vlietronium

26Oct11

I loved it. Just watched it, but I know I will be re watching this film for the beautiful images.

Aguaespejo and Yuki Aditya like this

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    Aguaespejo

    1May13

    Is that scene on top of the car with the toy airplane flying around just effing breathtaking?

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Randy Walker

5Oct11

I can't shake this film. Not that I'm trying to. There are emotions and images from it so indelible that they begin to create a ghostlike, pared-down imprint in my mind, emerging when I least expect it...not unlike when you stare at a light bulb and then close your eyes...somehow, the filament from the bulb remains.

Aguaespejo and 2 others like this

Yuki Aditya, Jimmy B.

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Articles

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W184

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By David Hudson on October 12, 2011

Here’s where we’ll be gathering news and reviews from this year’s edition.

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W184

Tourneur, Baudrillard, Loden, Pasolini, More

By David Hudson on September 1, 2010

Many thanks to Matthew Flanagan for pointing out the fifth issue of the multi-lingual journal La Furia Umana with its rapporto confidenziale

read article

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Untitled

By Sudarsh​an R. on October 7, 2009

Barbara Loden was one of the great actresses of Brodway in the sixties. In film, she appeared in supporting roles in her husband Elia Kazan’s WILD RIVER and SPLENDOR IN THE GRASS. Working with a low…  read review

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Displaying 1 discussion topic.

WANDA (BARBARA LODEN, 1970)

63 posts by 22 people over 1 year ago