MUBI brings you a great new film every day.  Start your 7-day free trial today!
Watch a new film every day for $4.99.
Try MUBI for FREE.
 

Water and Power

United States

1989

57 Min
Color
1.37:1
English
  • Currently 4.4/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5

   |   

DIR Pat O'Neill

PROD Pat O'Neill

DP Pat O'Neill

ED Pat O'Neill

MUSIC John Bergamo, Kurt Festinger, Greg Johnsson, Robert Lloyd, Vivian Miller

Berlinale (Forum), Sundance (Documentary Competition): Grand Jury Prize

Synopsis

Its title comes from the Los Angeles water district. Much of the film was shot in the Owens Valley and in an old office building in downtown LA and is metaphorically about the exchange of energy between two places. It is also about water, in all of its states, and about cyclical motion: the planets, the tides, the implied rotation of the camera on its axis, and the repetitive actions of the performers. There are also quotations from older movies and their soundtracks: at times their landscapes become continuous with those of the present. Human habitation in this wilderness is tenuous and risky.

Director

Original

Pat O'Neill

Pat O’Neill (b. 1939 in Los Angeles, California) is an experimental film-maker who has worked as well in commercial cinema. His expertise include the area of Direction, Cinematography, Production, Editing, Visual Effects, Special Effects and the Animation Department.

His early 16mm films include Runs Good (1970), Easyout (1971), and Down Wind (1973). His later 35mm films include Water and Power (1989), Trouble In The Image (1996), and The Decay of Fiction (2002). On December 30, 2008, Water and Power was added to the National Film Registry.1 Water and Power was preserved in 2009 by the Academy Film Archive in collaboration with O’Neill.
He is known most notably for his use of the optical printer.

He has also taught at the California Institute of the Arts. He influenced a generation of CalArts students, who include Adam Beckett, Robert Blalack, Chris Casady, and Larry Cuba, who all later went on… read more

Wall

Displaying 4 of 5 wall posts.
Picture of Doc Block

Doc Block

30Mar13

I think I like it as a part that it stands off a pretty good ground where Koyaanisqatsi moves away. A wonderful and haunting experimental film. On a formalistic level the optical printing work is absolutely amazing.

Picture of Scott Barley

Scott Barley

20Jan13

I thought I would love this, but I found it completely unremarkable and irritating.

Picture of Balder Strååt
Picture of zuihitsu

zuihitsu

31Oct10

Fantastic score, too.

Related Films