Following the death of the Pope, the Conclave meets to elect his successor. A cardinal is chosen who seems unable to bear the weight of such a responsibility. Is it anxiety? Is it depression? Does he feel inadequate? The faithful are waiting for the new Pope to appear on the balcony in St. Peter’s Square. The world is on tenterhooks, while in the Vatican they seek ways to come through the crisis. –Cannes Film Festival
Giovanni (Nanni) Moretti was born in 1953 in Bolzano. Both his parents are teachers and researchers. His first passions, cinema, water-polo and political commitment mark his works and his biography. After having graduated, Moretti tries to find work as assistant-director before shooting his first Super-8 shorts. He is also an actor for the Taviani Brothers (Padre padrone). His first feature-length film Io sono un autarchico brings him success both with the critics and the public. His second (Ecce Bombo) is selected by Cannes Film Festival. The success of the film makes Moretti one of the main European new authors.
Sogni d’oro wins the Jury Prize in Venice, and after Bianca (1983), La messa è finita wins the Silver Bear at the 1985 Berlinale.
In 1987, toghether with his long-time friend Angela barbagallo, Moretti establishes his production and distribution company, Sacher Film. They will then purchase and run a theater in Rom, called Nuovo Sacher.
Some dialogs and characters… read more
It'd be easy to read WHAP as anti-Catholic satire, but that reading misses Moretti's other targets -- news media, psychology, sports, the arts, nuclear family -- things that might replace or fortify religion but here seem inadequate to filling a leaderless void. As the Pope rejects spiritual fatherhood's responsibility, his would-be followers retreat into trivial distractions. The Internet, unmentioned, looms large.
Quite frankly the first Moretti film that truly lacks any real bite. Moretti's take on the election of a pope starts well but flounders after the half hour mark once the new pontiff casts himself amongst the faithful. The subplots seem more like filler than profound and the lack of resolutions though novel just seems like the writers didn't know how to end it either. A real disappointment.
Nanni Moretti will be in New York this weekend for several screenings of his work.
“We sort of do the lineup by the seat of our pants.”
And more year-end lists from New York and the Guardian. Plus: Sony vs the New Yorker.
Lars von Trier’s Melancholia leads with eight.
The end of the world will be beautiful, or so says the Polish poster for Lars von Trier’s Melancholia, quite fittingly on the eve of
Updated through 5/21. "Nanni Moretti's Habemus Papam (We Have a Pope), the Italian filmmaker's sombre and lightly amusing reconstruction of
English Title: We Have a Pope
Original Title: Habemus Papam
Year: 2011
Language: Italian, German, Latin
Country: Italy, France
Genre: Drama, Comedy
Director: Nanni Moretti… read review
“Habemus Papam” is a Runaway Bride story with the new Pope as the bride. Michel Piccoli does a great job in the role of a Cardinal who is by nature a follower but is being pushed into a leadership… read review
Nanni Moretti’s new film is a satire of Catholic devotion that, at its best moments, performs satire’s greatest trick: being sharp and incisive without being mean-spirited. So this is a funny and… read review