Norman Spencer, a university research scientist, is growing more and more concerned about his wife, Claire, a retired concert cellist who a year ago was involved in a serious auto accident, and who has just sent off her daughter Caitlin (Norman’s stepdaughter) to college. Now, Claire reports hearing voices and witnessing eerie occurrences in and around their lakeside Vermont home, including seeing the face of a young woman reflected in water. An increasingly frightened Claire thinks the phenomena have something to do with the couple living next door, especially since the wife has disappeared without apparent explanation. At her husband’s urging, Claire starts to see a therapist; she tells him she thinks the house is being haunted by a ghost. His advice? Try to make contact. Enlisting the help of her best friend, Jody, and a ouija board, Claire seeks to find out the truth of What Lies Beneath. –IMDb
American director Robert Zemeckis studied filmmaking at Northern Illinois University, and then got his start with a job with the film editing department at WMAQ-TV, Chicago’s NBC flagship station. After commercial work, Zemeckis and his friend and collaborator, Bob Gale, became assistants to Steven Spielberg. It was Spielberg who lined up Zemeckis’ first directing job, the 1977 comedy/nostalgia blend I Wanna Hold Your Hand; despite the film’s low budget, it demonstrated Zemeckis’ ability to combine credible live-action sequences with elaborate special effects devices. Spielberg next had Zemeckis and Gale work on the screenplay of 1941 (1979), which, despite its disappointing box-office returns, convinced the young director that his protegés were valuable commodities.
Working again under Spielberg’s aegis, Zemeckis directed his first real financial success, Romancing the Stone (1981), a wild adventure yarn that somehow never lost sight of its sense of humor. The director then… read more
What a crap film. What a slow, boring, amateurish, terribly written attempt at homage to Hitchcock. All the disparate elements of the story of this movie culminate into nothing. Michelle Pfeiffer's character performance might as well be a ghost from the beginning of this cold empty film.