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Synopsis

Janko, nicknamed Dzimi, has to leave his temporary job as a seasonal worker, together with his girlfriend, Lilica. Unemployed, he sets off on an uncertain path through life. Despite his efforts, he is unable to find work. Trying to get some money, he steals from some construction workers, but while making his escape, loses Lilica. Dzimi’s odyssey has begun. He learns how to sing by becoming the lover of a café singer, and goes on to perform a town fairs, remote military garrisons and small industrial settlements. One day, he meets a young dentist and decides to take part in a song contest in Belgrade. Booed off the stage, he abandons his singing career, and shortly thereafter runs into Lilica, who is making living by picking pockets and blackmailing man who have supposedly made her pregnant. Together, the two of them will devise a fatal money-making scheme. –Thessaloniki Film Festival

Director

Original

Živojin Pavlović

Yugoslav writer and film director Živojin Pavlovic was born in Sabac, Serbia, in 1933. He studied painting at the Belgrade Academy of Applied Arts. In the early sixties, he began his filmmaking career by directing two mid-length features. In 1965, he adapted Dostoyesky’s short novel “The Double” into a feature entitled The Enemy, and in 1966, he made The Return. His next two films, The Rat’s Awakening (1967) and When I’m Dead and White (1968) drew attention both within Yugoslavia and abroad. In 1969, The Ambush was deemed ideologically controversial, and though it was not banned, it never received an export visa. In 1970, he made Red Grain Stalks and began teaching filmmaking at Belgrade’s Film School. Meanwhile, Pavlovic had also become an established novelist. However, his fame did not prevent him from being banned from teaching, his films accused of having “a pernicious effect on youth”, his teaching methods of being “negative and pessimistic”. After three years of silence, he was… read more

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Živojin Pavlović?

3 posts by 3 people over 1 year ago